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PRIMARY COLORS

A marvelously down-and-dirty chronicle of a presidential campaign that will make your eyes water, and some more famous eyes burn, in recognition. His rivals for the Democratic nomination—a decorated Vietnam vet, a dinosaur populist, a ``neo-Martian'' egghead, the on-again/off-again governor of New York—may have stronger credentials of one kind or another, but none of them has put together the package Gov. Jack Stanton has: a mastery of the issues, an uncanny ability to connect with the people he meets, and a grimly talented wife who shares his Energizer-bunny determination to keep on going. So Henry Burton, the rather unconvincingly half-black narrator, signs on as Stanton's deputy campaign manager and heads with him to New Hampshire. Like politics itself, the ensuing account makes no pretense of beguiling the reader, instead dumping out fictionalized names and situations like toxic waste. Stanton's ship of fools will be threatened in rapid succession by his youthful indiscretions at the 1968 Chicago convention; his tabloidal dalliance with his wife's hairdresser; discreet rumors of paternity from still another quarter; and a disgruntled driver alleging racial slurs he overheard (you won't believe what Stanton has to promise to shut him up). The picture of electoral politics that emerges has nothing to do with substantive issues—woe to the candidate who goes on record with any specific policy position—and everything to do with imagery, tactical advantages, not blinking first, and triage. This familiar picture is given new urgency by the momentum Stanton's campaign develops, even when it's being driven by the reflexive reactions of his clueless campaign manager or his psychopathically devoted chief of staff—or, more often, by no one, no one at all. Only the nobility that several key characters improbably evince in the closing pages breaks the illusion of authenticity. Mystery insider's view or not, this is a delicious gift for your friends who still believe that politics and politicians have the answers.

Pub Date: Feb. 1, 1996

ISBN: 0-679-44859-4

Page Count: 320

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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