A fascinating memoir by a 21st-century original.
How does a fictional character write a real memoir? Very, very well.
Most readers who are active on social media are aware of Duchess Goldblatt, the acerbic yet warmhearted doyenne of Twitter, represented by a Frans Hals portrait of an elderly woman with a stiff muff around her neck. Over the years, she’s dispensed witticisms and advice to her 24,000-plus followers, many of them writers, without giving away any clues about the person behind the persona. When she finally met her No. 1 fan, Lyle Lovett (it’s a long story), he was shocked that she wasn’t "a little old lady or a gay man!” Now, Duchess Goldblatt’s admirers can get to know her still-anonymous creator, and perhaps the biggest surprise in this striking memoir is the fact that Duchess is a name (taken from a friend’s dog), not a title, though no doubt everyone will keep calling her “Your Grace.” The author created Duchess during a terrible time: She'd lost her job, her husband had left her, and she was tormented by the part-time separation from her young son. Duchess was a way for her to lurk online, but she soon found herself carefully crafting posts, responding to everyone who wrote to her, and finding solace in the community she’d created. The book is prismatic, moving among the author’s difficult childhood, the years after her divorce, and her growing relationships with people Duchess had befriended—only a few of whom, including Lovett, have ever met her. She wrestles with the questions of whether she and Duchess are two separate people and how Duchess makes friends so easily when she herself feels almost friendless. Lovett’s manager called what she’s doing “collaborative performance art,” and that’s an apt term for it; together with Duchess’ followers, she’s created a long-term fever dream of humor, compassion, wordplay, and dog photos.
A fascinating memoir by a 21st-century original.Pub Date: July 7, 2020
ISBN: 978-0-358-21677-3
Page Count: 240
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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