The clouds of a formulaic setup disperse to reveal a charmingly clear blue sky.
An eccentric museum in a neglected, stately English home becomes a heart-opening site of revelation, renewal, and second chances for a widow and her son.
A broken heart, a guilty conscience, a special needs child, homelessness, and joblessness are just the starting points for Harris’ busily plotted second novel, which draws inspiration from a real Victorian curiosity of a museum in southern England, where the author grew up. Enjoyably readable but overloaded, the narrative puts 54-year-old Cate Morris, still missing her husband, Richard, who died four years earlier by suicide, through the emotional wringer. Forced to relocate from London with Leo, her 19-year-old son, who has Down syndrome, Cate turns up at Hatters Museum of the Wide Wide World, where Richard’s long-dead grandfather, Colonel Hugo, assembled an extraordinary collection of stuffed animals and other artifacts harvested on trips to Africa and Asia. The museum is under threat, and Cate will try to save it, but her efforts are complicated by skeptical trustees, animal rights activists, a fire, and the inscrutable activities of an old retainer with links to the colonel. Cate’s emotional roller coaster swoops through bursts of introspection and self-recrimination interspersed with happier episodes with Leo and also Patch, a local artist and surprisingly ardent new lover. These mood swings, from grief and regret to rebirth and fairy tale—like the whistle-while-you-work team of locals that arrives to restore Hatters to order after the fire or Leo’s heroic speech to the nasty trustees—generate an unpredictability of tone, but Harris’ tale-spinning is good enough to keep the forward momentum going, often at breakneck speed. That a conclusion will be reached and that it will be satisfying are never in doubt.
The clouds of a formulaic setup disperse to reveal a charmingly clear blue sky.Pub Date: Nov. 3, 2020
ISBN: 978-1-9821-2689-6
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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