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AGRIPPINA

SEX, POWER, AND POLITICS IN THE EARLY EMPIRE

One of history's most notorious monsters is rehabilitated as a politically successful woman whose power and reputation in first-century Rome fell victim to Roman sexism. Barrett (Classics/Univ. of British Columbia; Caligula, 1990) begins with a brief history of powerful Roman women before Agrippina, including her great-grandmother Livia, wife of the first Roman emperor, Augustus. Much of this section is overly familiar, reading at times like a recap of I, Claudius. But this background gains significance once Agrippina the Younger makes her appearance. Barrett persuasively argues that Roman chroniclers were unable to see Agrippina or her predecessors except through the stereotype of the politically ambitious woman: a seductive poisoner with no sense of moral bounds. By carefully weighing the historical record, taking into account the distorting power of misogynist folklore, the author disputes such commonplaces as the idea that Agrippina murdered her husband, Claudius, and slept with her son Nero. His Agrippina is a politically adroit consensus-builder whose influence over two emperors contributed to the most enlightened portions of their reigns. Her diplomatic skill falters only in the handling of her teenage son—a miscalculation that leads to her execution in 54 a.d. on his orders. That Agrippina's murder was celebrated as a just comeuppance demonstrates the persistence of the ``age-old resentment of powerful and ambitious women.'' Though Barrett draws no contemporary analogies, the reader may easily do so. Despite the high-mindedness of his central theme, the author is always alert to the pleasures of ``juicy anecdote[s]'' (such as Agrippina's supposed incest with her brother Caligula), and recounts them in full, if only to discredit them. A scholarly yet accessible biography that largely succeeds in replacing Grand Guignol with something more satisfying: the tragedy of a natural leader born female in a society afraid to be led by women. (illustrations, not seen) (History Book Club selection)

Pub Date: Oct. 1, 1996

ISBN: 0-300-06598-1

Page Count: 320

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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