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MR. CSI

HOW A VEGAS DREAMER MADE A KILLING IN HOLLYWOOD, ONE BODY AT A TIME

A well-told tale of rags to Hollywood riches, but a missed opportunity for a deeper exploration of a creative mind.

The creator of one of TV's most successful franchises spills his guts.

Zuiker knows how to tell a story, and like most episodes of CSI, this one begins with a grisly crime scene in a low-rent Las Vegas apartment. There, the real-life inspirations for the author's fictional characters discovered the body of his long-estranged father, dead from a self-inflicted gunshot wound. Zuiker received the news the next morning, after having attended an awards show the night before, and his return to his hometown to deal with the aftermath provides a gripping start to his memoir. The reminiscences about his troubled relationship with his father, a hustler in the old Vegas mold, distinguish the book as more than an ordinary autobiography of a self-made man. But the majority of the narrative is just that, told with humor and a notable lack of ego. Zuiker's ambition to succeed was clear from an early age, and he embarked on a series of often ill-advised get-rich schemes, including selling dice games of his own creation through vending machines and creating advertising ideas for businesses from casinos to adult stores. However, it was his involvement with scholastic public-speaking competitions that led to his eventual triumph in Hollywood. The actual creation of the CSI franchise makes up a relatively small part of the story, though there are a few anecdotes about the stars and the people behind the scenes. The promise of the book's beginning remains largely unfulfilled, however, as Zuiker finds forgiveness for his father's shortcomings but fails to explore their impact on his life.

A well-told tale of rags to Hollywood riches, but a missed opportunity for a deeper exploration of a creative mind.

Pub Date: Dec. 1, 2011

ISBN: 978-0-06-172549-4

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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