The life and work of an iconic modernist.
In 1920, Swiss-born architect Charles-Edouard Jeanneret-Gris changed his name to Le Corbusier (1887-1965). The dramatic “single moniker,” writes journalist Flint (Wrestling with Moses: How Jane Jacobs Took On New York's Master Builder and Transformed the American City, 2009, etc.), “signaled his break with the past…and the embrace of the modern.” The author ably chronicles Le Corbusier’s pursuit of the modern in designs that remained remarkably consistent during his long career. In villas, apartment complexes and public buildings, Le Corbusier conceived stark, concrete structures perched on concrete columns, with open-plan interiors swathed in natural light and containing minimalist furniture, such as the metal tubing and leather chairs designed by a member of his firm. His wife found the ambience dispiriting: It was like living in a hospital, she complained, or “a dissecting lab!” Some clients, although impressed by the theatricality of the imposing architecture, found living within its walls uncomfortable, especially in a villa that became inundated with water after every rain. Le Corbusier had grander ambitions than simply designing for wealthy clients. During World War II, he nimbly allied himself with the Vichy government, hoping to redesign Paris after the war’s destruction; in 1945, he easily—and with no repercussions—switched sides. He envisioned entire cities “with places and buildings for all human activities by which the citizens can live a full and harmonious life.” Constructed rigidly on a grid, with large spaces between buildings comprised of small modular apartments, the cities would include schools, shops and extensive roof gardens representing the natural landscape. Critics asserted that he was blind to people’s real lives and the interactions that created community, but Le Corbusier believed that well-designed density, “a repeatable urban form,” was the overriding need of the future.
Flint’s life of “the original star architect” astutely captures Le Corbusier’s hubris and vulnerabilities and makes a persuasive case for his artistic significance.Pub Date: Nov. 4, 2014
ISBN: 978-0544262225
Page Count: 288
Publisher: Amazon Publishing/New Harvest
Review Posted Online: Sept. 18, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR
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BOOK REVIEW
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | SELF-HELP
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