by Anthony Flint ‧ RELEASE DATE: Nov. 4, 2014
Flint’s life of “the original star architect” astutely captures Le Corbusier’s hubris and vulnerabilities and makes a...
The life and work of an iconic modernist.
In 1920, Swiss-born architect Charles-Edouard Jeanneret-Gris changed his name to Le Corbusier (1887-1965). The dramatic “single moniker,” writes journalist Flint (Wrestling with Moses: How Jane Jacobs Took On New York's Master Builder and Transformed the American City, 2009, etc.), “signaled his break with the past…and the embrace of the modern.” The author ably chronicles Le Corbusier’s pursuit of the modern in designs that remained remarkably consistent during his long career. In villas, apartment complexes and public buildings, Le Corbusier conceived stark, concrete structures perched on concrete columns, with open-plan interiors swathed in natural light and containing minimalist furniture, such as the metal tubing and leather chairs designed by a member of his firm. His wife found the ambience dispiriting: It was like living in a hospital, she complained, or “a dissecting lab!” Some clients, although impressed by the theatricality of the imposing architecture, found living within its walls uncomfortable, especially in a villa that became inundated with water after every rain. Le Corbusier had grander ambitions than simply designing for wealthy clients. During World War II, he nimbly allied himself with the Vichy government, hoping to redesign Paris after the war’s destruction; in 1945, he easily—and with no repercussions—switched sides. He envisioned entire cities “with places and buildings for all human activities by which the citizens can live a full and harmonious life.” Constructed rigidly on a grid, with large spaces between buildings comprised of small modular apartments, the cities would include schools, shops and extensive roof gardens representing the natural landscape. Critics asserted that he was blind to people’s real lives and the interactions that created community, but Le Corbusier believed that well-designed density, “a repeatable urban form,” was the overriding need of the future.
Flint’s life of “the original star architect” astutely captures Le Corbusier’s hubris and vulnerabilities and makes a persuasive case for his artistic significance.Pub Date: Nov. 4, 2014
ISBN: 978-0544262225
Page Count: 288
Publisher: Amazon Publishing/New Harvest
Review Posted Online: Sept. 17, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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