by Anthony Flint ‧ RELEASE DATE: Nov. 4, 2014
Flint’s life of “the original star architect” astutely captures Le Corbusier’s hubris and vulnerabilities and makes a...
The life and work of an iconic modernist.
In 1920, Swiss-born architect Charles-Edouard Jeanneret-Gris changed his name to Le Corbusier (1887-1965). The dramatic “single moniker,” writes journalist Flint (Wrestling with Moses: How Jane Jacobs Took On New York's Master Builder and Transformed the American City, 2009, etc.), “signaled his break with the past…and the embrace of the modern.” The author ably chronicles Le Corbusier’s pursuit of the modern in designs that remained remarkably consistent during his long career. In villas, apartment complexes and public buildings, Le Corbusier conceived stark, concrete structures perched on concrete columns, with open-plan interiors swathed in natural light and containing minimalist furniture, such as the metal tubing and leather chairs designed by a member of his firm. His wife found the ambience dispiriting: It was like living in a hospital, she complained, or “a dissecting lab!” Some clients, although impressed by the theatricality of the imposing architecture, found living within its walls uncomfortable, especially in a villa that became inundated with water after every rain. Le Corbusier had grander ambitions than simply designing for wealthy clients. During World War II, he nimbly allied himself with the Vichy government, hoping to redesign Paris after the war’s destruction; in 1945, he easily—and with no repercussions—switched sides. He envisioned entire cities “with places and buildings for all human activities by which the citizens can live a full and harmonious life.” Constructed rigidly on a grid, with large spaces between buildings comprised of small modular apartments, the cities would include schools, shops and extensive roof gardens representing the natural landscape. Critics asserted that he was blind to people’s real lives and the interactions that created community, but Le Corbusier believed that well-designed density, “a repeatable urban form,” was the overriding need of the future.
Flint’s life of “the original star architect” astutely captures Le Corbusier’s hubris and vulnerabilities and makes a persuasive case for his artistic significance.Pub Date: Nov. 4, 2014
ISBN: 978-0544262225
Page Count: 288
Publisher: Amazon Publishing/New Harvest
Review Posted Online: Sept. 17, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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