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TWO FOR YOU, ONE FOR ME

A raw, honest, and sad memoir.

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A posthumous debut autobiography supplemented with photographs and commentary by the author’s son.

Richard E. Hernandez, who died in 2012, was born in 1922 in Nogales, Arizona, one of several towns near the Mexican border that would define the early years of his life. By 1927, his father, Edmundo, had deserted his mother, Guadalupe, and she became an alcoholic. She and her son wandered through border towns, mainly in the Mexican state of Sonora. Although she had family members willing to help in Nogales, Mexico, and in Arizona, she was unwilling to stay put: “my mother did not want them meddling in her life, so she stayed as far away from them as she could.” Frequently, the author was left to his own devices, sometimes for days or weeks. His life changed dramatically in 1934, when he was 12 and homeless. He met a man named Miguel Mendoza, at the Agua Prieta border crossing, who brought him back to Douglas, Arizona, and had him declared a ward of the state; he and his wife raised Hernandez until 1936, when the state reassigned custody to his grandparents in Tucson. His initial experiences with instability motivated him to build a productive life as an adult. Extensive descriptions of his time in the Civilian Conservation Corps, his five years in the U.S. Army, his civilian work, marriage, and family life present unique glimpses into prewar and postwar America. The author’s youngest child, Anthony, encouraged him to write down the secrets of his early life, which he’d carried with him in silence for decades. The resulting articulate and emotional prose is generally optimistic but often heartbreaking: “My mother and I must have been quite a sight. Here was a woman, obviously drunk, pulling a sobbing kid, maybe hungry or sick, surely scared, and in my heart embarrassed for the both of us.” Although composed primarily for family members, the story offers a detailed geographical and cultural portrait of the border towns during the Great Depression. The relative ease with which one could cross back and forth between the two countries stands in poignant contrast to today’s reality.

A raw, honest, and sad memoir.

Pub Date: June 26, 2018

ISBN: 978-1-73210-950-6

Page Count: 324

Publisher: 2 for You, 1 for Me Publishing

Review Posted Online: May 24, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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