Hyde (China Lake, 1992; The Red Fox, 1985) returns in top form with an intricately woven tale of love, murder, and family set in the new Asia. Nick Lamp, a Taiwan businessman, goes to meet local Mafioso Cao Dai, but finds him dead. Fearing the authoritarian methods of the Taiwanese police, Nick runs from the scene. He soon discovers a prostitute who claims to have been in Cao Dai's apartment when he was killed, though she has no explanation for the murder itself. When the prostitute meets a violent end, the police question Nick; he soon believes that they're setting him up to be the patsy for Cao Dai's slaying. Afraid of both the police and Cao Dai's sons, Nick escapes from Taiwan, figuring the only way to clear himself is to find Cao Dai's killer. His search takes him to Hong Kong, Shanghai, and deep into mainland China, his only clues a counterfeit copy of Asiaweek and an old photograph showing Cao Dai and Nick's father with a group of Chinese actresses. Hyde masterfully connects Cao Dai's murder to political intrigues inside China, including a failed coup from the past, and to present-day missile technology. Throughout, Nick is encumbered by his racial heritage; the son of a Chinese man and an American woman, he often feels like ``a banana...yellow on the outside, white on the inside.'' He's also troubled by his relationship with Laurie, an American who seems more Chinese than he does. His father's legacy becomes a burden when Nick unearths a number of the dead man's indiscretions. Hyde's seamless narrative keeps readers close to Nick every mental and physical step of the way in a story that's as much a study of contemporary Chinese culture as it is a first-class thriller. Intelligent, literate, and unsentimental.
Pub Date: July 6, 1995
ISBN: 0-679-44039-9
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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