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MANDELA

THE AUTHORIZED BIOGRAPHY

A comprehensive treatment of the life of the South African political prisoner, martyr, and president by journalist Sampson (Company Man: The Rise and Fall of Corporate Life, 1995, etc.), a long-time acquaintance and admirer. Adhering to a strict chronology, this biography follows Mandela from his boyhood in remote villages (where his father was a hereditary chief with four wives) to his miraculous transformation into an “overwhelming global icon.” Mandela benefits from Sampson’s thorough research and from his intimate knowledge of South Africa and of the myriad personalities who formed the cast for one of history’s most compelling dramas of personal sacrifice and redemption. Sampson reveals that Mandela at 16 endured a painful circumcision in a tribal rite of passage; he portrayed John Wilkes Booth in a college play; he was a skilled boxer; for 18 of his 27 years in prison, he lived in an eight-food-by-seven-foot cell and slept on a straw mat; and he once acknowledged that his second wife, Winnie (there have been two other spouses), kindled “a thousand fires in me.” Sampson enjoyed the full cooperation of Mandela, who not only granted access to his personal letters and other papers but also read and corrected drafts of Mandela. Although Sampson assures readers that he was “free to make . . . [his] own judgments and criticisms,” there are in this lengthy work very few places where Mandela emerges as anything other than a secular saint. Sampson concedes only that Mandela’s oratory is “far from thrilling” and that his devotion to the destruction of apartheid forced him to neglect his family. Winnie Mandela, by contrast, comes off poorly. She earns high marks for her pulchritude and panache, low marks for candor, probity, and, ultimately, sanity. A richly detailed political history, a generous portrayal of a consummate politician, and a true profile in courage—a courage both unimaginably immense and stunningly rare. (32 pages b&w photos, 2 maps, not seen) (First printing of 75,000;Book-of-the- Month Club/History Book Club alternate selection)

Pub Date: Sept. 16, 1999

ISBN: 0-375-40019-2

Page Count: 688

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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