Even when these stories are funny and hopeful, an inescapable history is always waiting.
Posthumous debut from an author whose short fictions appeared in the New Yorker and n+1.
In “Maly, Maly, Maly,” Ves and his cousin Maly escape to get high and watch porn while their family prepares for a party where monks will declare that another cousin’s baby is the reincarnation of Maly’s mother, Somaly. In “Somaly Serey, Serey Somaly,” that baby, Serey, has grown into a nurse who is caring for the great-aunt who raised Maly after her mother died. Ma Eng is suffering from dementia, but her insistence that Serey is her dead niece Somaly fits a pattern in Serey’s life. Presented with the chance to pass her haunted legacy onto Maly’s daughter, Serey thinks twice about what she’s doing but can’t resist the possibility of being free of her family’s history. Generational trauma is an undercurrent throughout this book. The protagonists of these stories grew up in California, but they are constantly aware that their parents and grandparents and aunties and uncles witnessed genocide before escaping Cambodia. This awareness manifests in different ways across the collection. Set in the aftermath of a lavish wedding, “We Would’ve Been Princes!” follows brothers Marlon and Bond as they try to find out if a wealthy relative stiffed the bride and groom of a cash gift at the reception. The answer to this question is important because Marlon and Bond want to please their mother by delivering this bit of gossip, but it also reveals differing attitudes about what refugees owe each other—and it involves some trickery by a Cambodian singer flown in for the nuptials. In “Human Development,” Anthony, whose newish career is teaching private school kids about diversity, is at a party surrounded by insufferable tech bros when he connects with another Cambodian guy on Grindr. Anthony’s reaction to the relationship that develops is shaped, at least in part, by how much he wants his own past and the collective past he has inherited to define him.
Even when these stories are funny and hopeful, an inescapable history is always waiting.Pub Date: Aug. 3, 2021
ISBN: 978-0-06-304990-1
Page Count: 272
Publisher: Ecco/HarperCollins
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Terrific characters, rich worldbuilding, deep thoughts about fiction and morality, a love story, and a happy ending.
A college freshman finds out that everyone was right: Her decision to have her English professor’s baby really does ruin her life. Until it doesn’t.
“I’d learned about the terms first person, third person, and second person in high school, and I’d thought that was all there was to point of view until I met Bodhi’s father in the fall of 2017.” Not for nothing does Margo’s journey into motherhood begin in English class, as she switches back and forth between third and first all the way through the book, using third for distance from her cringier mistakes. The elevator pitch for Thorpe’s fourth novel—as exuberant as the first three—is Tomorrow and Tomorrow and Tomorrow with online porn instead of video games. Really! It’s a story of friendship, love, and family set in a different part of the big world of cyber-storytelling. Shortly after Bodhi is born, Margo finds she can’t afford the child care necessary to hold on to her waitressing job. Then two of her three roommates move out in response to infant wailing, and she has to find a source of income fast. She ends up posting pictures on OnlyFans, a subscription-based porn site. “Lonely, hot girl in financial freefall, please help me make rent this month....If you want to find out what Pokémon your dick most resembles and what attacks it might have, send me a $20 tip and I’ll provide a full write-up.” Turns out she is very good at this. Further help with the rent comes when her father, Jinx, a wrestling world icon, comes fresh from rehab to move in and help her with the baby, and then she reaches out to OnlyFans viral stars WangMangler and SucculentRose, who have much to teach. Just as she’s beginning to get it together, the English teacher does a complete 180—instead of wanting nothing to do with Bodhi, he’s now demanding full custody. The title is the only bad thing about this book.
Terrific characters, rich worldbuilding, deep thoughts about fiction and morality, a love story, and a happy ending.Pub Date: June 11, 2024
ISBN: 9780063356580
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.
A grandmaster of the hard-boiled crime genre shifts gears to spin bittersweet and, at times, bizarre tales about bruised, sensitive souls in love and trouble.
In one of the 17 stories that make up this collection, a supporting character says: “People are so afraid of dying that they don’t even live the little bit of life they have.” She casually drops this gnomic observation as a way of breaking down a lead character’s resistance to smoking a cigarette. But her aphorism could apply to almost all the eponymous awkward Black men examined with dry wit and deep empathy by the versatile and prolific Mosley, who takes one of his occasional departures from detective fiction to illuminate the many ways Black men confound society’s expectations and even perplex themselves. There is, for instance, Rufus Coombs, the mailroom messenger in “Pet Fly,” who connects more easily with household pests than he does with the women who work in his building. Or Albert Roundhouse, of “Almost Alyce,” who loses the love of his life and falls into a welter of alcohol, vagrancy, and, ultimately, enlightenment. Perhaps most alienated of all is Michael Trey in “Between Storms,” who locks himself in his New York City apartment after being traumatized by a major storm and finds himself taken by the outside world as a prophet—not of doom, but, maybe, peace? Not all these awkward types are hapless or benign: The short, shy surgeon in “Cut, Cut, Cut” turns out to be something like a mad scientist out of H.G. Wells while “Showdown on the Hudson” is a saga about an authentic Black cowboy from Texas who’s not exactly a perfect fit for New York City but is soon compelled to do the right thing, Western-style. The tough-minded and tenderly observant Mosley style remains constant throughout these stories even as they display varied approaches from the gothic to the surreal.
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.Pub Date: Sept. 15, 2020
ISBN: 978-0-8021-4956-5
Page Count: 336
Publisher: Grove
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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