Vol. II: “On the Sea” and Other Stories, 1883—84 $23.95, 300 pp. ISBN: 1-894485-02-5 Jan. 2000 The first two volumes of an ambitious gathering (and new translation) of all the Russian master’s early fiction—much of which appears here for the first time in English, having been deemed unworthy of preservation by Chekhov’s previous translators. Editor Sirin’s introduction pleads the case for resurrecting what are in many cases wan ’sketches” written for popular humor magazines, in the years when Chekhov (1860—1904) was starting his medical practice and assuming the burden of supporting his demanding family. Semifictional, possibly autobiographical vignettes (“Wedding American Style,” “My Anniversary”) and broad farces (“An Unhappy Visit”) dominate the first volume’s 32 inclusions. Nevertheless, several stand out: “He and She” skillfully lays bare the carefully managed hostility that binds a vain “European diva” to her smug husband; “For the Apples” offers an incisive satiric portrait of a malicious landowner, and “Two Scandals” efficiently delineates the vacillating relations of an inept soprano and the orchestra conductor who can neither tolerate nor forget her. Even the least substantial “stories” here uniformly display Chekhov’s matchless gift for swiftly establishing setting, character, and often even conflict and theme in a few brief sentences. But this mastery is more muted in the second volume’s 81 tales, many merely labored expansions of simple comic ideas gleaned, one infers, from both his professional and personal experiences and contemporary newspaper stories. Notable exceptions: “A Woman Without Prejudice,” who charms and surprises the lover bearing a “terrible secret”; “The Swedish Match,” a full-fledged detective story, and one of Chekhov’s most unusual works; “A Mysterious Woman,— which partially anticipates the justly famous “The Lady with the Dog”; and the radiantly absurd and moving “Death of a Civil Servant”—the first of Chekhov’s indisputable masterpieces. Sirin’s third volume, promised for late 2000, will contain more of the better-known and more fully developed stories of Chekhov’s tragically brief maturity. Still, even the juvenilia and ephemera of this writer constitute uniquely rewarding reading.
Pub Date: Jan. 1, 2000
ISBN: 1-894485-01-7
Page Count: 250
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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