by Anton DiSclafani ‧ RELEASE DATE: May 17, 2016
A bit of a sophomore slump, but this talented newcomer’s gifts for characterization and atmosphere are as sharp as ever.
In her tale of a fraught lifelong friendship, DiSclafani (The Yonahlossee Riding Camp for Girls, 2013) again investigates the power and perils of female sexuality.
Oil-rich 20th-century Houston is the atmospheric setting: in the privileged world Joan Fortier and Cecilia “Cece” Buchanan inhabit, women have little to do besides redecorate their lavish houses, attend meetings of various social clubs, and drunkenly while away the evenings—with or without their businessman husbands—at the Shamrock Hotel’s Cork Club. It’s typical of the power distribution in their relationship that narrator Cece’s first name is also Joan, but she’s gone by her middle name ever since they started kindergarten together in 1937. Now it’s 1957, and Cece is the wife of solid, stable Ray and mother to 3-year-old Tommy, whose failure to talk is her one real concern. But she spends plenty of time worrying over single, scandalous Joan anyway; the girls’ closeness was cemented by the two-plus years Cece lived with the Fortiers after her mother died while she was in high school, and the worrying began when Joan ran away for a year in 1950. Cece can’t understand why Joan yearns for the wider world beyond Texas, and she strives constantly to protect her friend from the consequences of her reckless behavior in censorious Houston. Her obsession with Joan is a source of tension in her marriage, and it’s a problem for the novel too; a predictable pattern emerges of Joan acting out, Cece fussing, and Ray seething. We see that Cece has poured all the emotions stymied by her difficult, critical mother and largely absent father into her feelings for Joan, but after a while her neediness is as frustrating to the reader as to Ray. When Joan’s secret emerges, it’s painful but predictable. Nonetheless, DiSclafani paints a rich portrait of a cloistered society and its damaged inhabitants in a consistently absorbing narrative.
A bit of a sophomore slump, but this talented newcomer’s gifts for characterization and atmosphere are as sharp as ever.Pub Date: May 17, 2016
ISBN: 978-1-59463-316-4
Page Count: 384
Publisher: Riverhead
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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PROFILES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Rebecca Yarros ‧ RELEASE DATE: Feb. 26, 2019
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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