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SPENT

A MEMOIR

A raw, searing self-portrait.

Revelatory, unapologetic life story of a San Francisco stripper and sex worker.

Crane, a university writing instructor and Los Angeles blogger, writes nostalgically of her solitary youth as an energetic, restless “chunky” girl growing up in Northern California. Her father, a lawyer, abandoned the family when she was 10; as a teenager, negative body image issues manifested into bulimia. But it was her mother’s abusive post-marriage relationship that forced her to move to San Francisco on her own at 17, posing nude for artists while subsisting on “a diet of meth and oranges.” Her bisexuality emerged alongside a slow descent into drug abuse, which parlayed into dancing at a colorful assortment of San Francisco strip clubs catering to generous, fetishistic patrons. After a suicide attempt, Crane found the strength to attend substance abuse recovery meetings. With pride and exhilaration, she discusses her time pole dancing as “Lolita” and “Stevie,” as well as her activist involvement in the country’s first strip club unionization; the author does not express shame for a livelihood borne out of necessity and fascination. Crane even straddled sex work with a stint as a youth counselor, but when her mother became debilitated with cancer, she and her brother compassionately came to her aid and bestowed a dying wish in an excruciatingly sorrowful scene. However, she again yielded to the call of the street, traveling from Los Angeles to New Orleans. There’s a gripping emotional current coursing through Crane’s often startling material; the urgency and brazen honesty of her storytelling is difficult to ignore. Definitely not for the sheepish, Crane’s graphic life spent navigating gritty gentlemen’s clubs and massage parlors doesn’t end with catharsis but with unrepentant contentment.

A raw, searing self-portrait.

Pub Date: March 18, 2014

ISBN: 978-1-940207-06-3

Page Count: 312

Publisher: Rare Bird Books

Review Posted Online: Feb. 1, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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