A raw, searing self-portrait.

SPENT

A MEMOIR

Revelatory, unapologetic life story of a San Francisco stripper and sex worker.

Crane, a university writing instructor and Los Angeles blogger, writes nostalgically of her solitary youth as an energetic, restless “chunky” girl growing up in Northern California. Her father, a lawyer, abandoned the family when she was 10; as a teenager, negative body image issues manifested into bulimia. But it was her mother’s abusive post-marriage relationship that forced her to move to San Francisco on her own at 17, posing nude for artists while subsisting on “a diet of meth and oranges.” Her bisexuality emerged alongside a slow descent into drug abuse, which parlayed into dancing at a colorful assortment of San Francisco strip clubs catering to generous, fetishistic patrons. After a suicide attempt, Crane found the strength to attend substance abuse recovery meetings. With pride and exhilaration, she discusses her time pole dancing as “Lolita” and “Stevie,” as well as her activist involvement in the country’s first strip club unionization; the author does not express shame for a livelihood borne out of necessity and fascination. Crane even straddled sex work with a stint as a youth counselor, but when her mother became debilitated with cancer, she and her brother compassionately came to her aid and bestowed a dying wish in an excruciatingly sorrowful scene. However, she again yielded to the call of the street, traveling from Los Angeles to New Orleans. There’s a gripping emotional current coursing through Crane’s often startling material; the urgency and brazen honesty of her storytelling is difficult to ignore. Definitely not for the sheepish, Crane’s graphic life spent navigating gritty gentlemen’s clubs and massage parlors doesn’t end with catharsis but with unrepentant contentment.

A raw, searing self-portrait.

Pub Date: March 18, 2014

ISBN: 978-1-940207-06-3

Page Count: 312

Publisher: Rare Bird Books

Review Posted Online: Feb. 2, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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