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SPENT

A MEMOIR

A raw, searing self-portrait.

Revelatory, unapologetic life story of a San Francisco stripper and sex worker.

Crane, a university writing instructor and Los Angeles blogger, writes nostalgically of her solitary youth as an energetic, restless “chunky” girl growing up in Northern California. Her father, a lawyer, abandoned the family when she was 10; as a teenager, negative body image issues manifested into bulimia. But it was her mother’s abusive post-marriage relationship that forced her to move to San Francisco on her own at 17, posing nude for artists while subsisting on “a diet of meth and oranges.” Her bisexuality emerged alongside a slow descent into drug abuse, which parlayed into dancing at a colorful assortment of San Francisco strip clubs catering to generous, fetishistic patrons. After a suicide attempt, Crane found the strength to attend substance abuse recovery meetings. With pride and exhilaration, she discusses her time pole dancing as “Lolita” and “Stevie,” as well as her activist involvement in the country’s first strip club unionization; the author does not express shame for a livelihood borne out of necessity and fascination. Crane even straddled sex work with a stint as a youth counselor, but when her mother became debilitated with cancer, she and her brother compassionately came to her aid and bestowed a dying wish in an excruciatingly sorrowful scene. However, she again yielded to the call of the street, traveling from Los Angeles to New Orleans. There’s a gripping emotional current coursing through Crane’s often startling material; the urgency and brazen honesty of her storytelling is difficult to ignore. Definitely not for the sheepish, Crane’s graphic life spent navigating gritty gentlemen’s clubs and massage parlors doesn’t end with catharsis but with unrepentant contentment.

A raw, searing self-portrait.

Pub Date: March 18, 2014

ISBN: 978-1-940207-06-3

Page Count: 312

Publisher: Rare Bird Books

Review Posted Online: Feb. 1, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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