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THE GIRL WHO WAS SUPPOSED TO DIE

The only thing Cady knows for sure is that someone wants to kill her.

“Take her out back and finish her off,” is one of the first things the 16-year-old hears when she comes to in an isolated cabin in the woods of Oregon. Suffering from amnesia, Cady doesn’t recall anything about her life, including where she’s from, who her family is or even the excruciating pain of having two fingernails torn off. But her body remembers enough martial arts to incapacitate her captor and escape. When she tries to contact the authorities, they believe she is an escaped patient from a local mental hospital. Is she an insane murderer, as news reports suggest? With no place to hide and everyone a potential liar (including herself), Cady races across the state, piecing together clues and scraps of memories, to try to figure out who she is in this thriller with nonstop twists and turns. Her only ally is Ty, a former homeless teen she meets at a brief fast-food stop. The possibility of biological warfare amps up the suspense, while short chapters and Cady’s direct, first-person narration make the Hollywood-blockbuster–like story pulsate. Although rushed, the ending stays true to the mood and consistent pacing of Cady’s plight. An adrenaline rush for reluctant readers. (Thriller. 14 & up)

 

Pub Date: June 11, 2013

ISBN: 978-0-8050-9541-8

Page Count: 224

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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WHITE FOX

A lush and hypnotic modern fairy tale.

Ten years ago, enigmatic film star Mireille Foix disappeared from Viloxin, her Mediterranean island home, leaving her pharma tycoon husband and two young daughters bereft.

Eighteen-year-old Manon and 17-year-old Thaïs have lived with their aunt in New York City ever since, and their father’s death the previous summer still stings. Tai is puckish and effervescent, with “beautiful gemstones of stories that she’s sharpened to points” and musical laughter that hides deep insecurity. Noni, on the other hand, is a bookish and unabashedly melancholy young woman. When they get an invitation to return to Viloxin, the “Eden” of their childhood, as guests of honor at a retrospective of their mother’s work, they can’t pass it up. Soon after their arrival, Tai discovers White Fox, a legendary unfinished script penned by her mother. The screenplay, which is nestled in between Tai’s and Manon’s narratives as well as that of Boy, a darkly mysterious third narrator, may hold the key to Mireille’s fate. Desperate for the truth, Tai and Noni are enticed into an eerie and darkly seductive puzzle box of enigmatic clues, revelations, and danger. Faring, an imaginative, tactile, and immensely quotable wordsmith, explores the complexities of sisterhood and grief with a deft hand, and her unusual island setting, with its futuristic touches, draws readers in with a sensuous warmth that belies the sharp teeth beneath its surface. Most main characters seem to be White.

A lush and hypnotic modern fairy tale. (Mystery. 14-18)

Pub Date: Sept. 22, 2020

ISBN: 978-1-250-30452-0

Page Count: 416

Publisher: Imprint

Review Posted Online: July 7, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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SURRENDER YOUR SONS

Hard-to-read story, hard-to-stop-reading writing.

A hardscrabble antihero’s coming out lands him in an off-the-grid conversion camp.

Connor Major of Ambrose, Illinois, has quite a mouth on him. But when it comes to the rite-of-passage revelation to his single, hardcore Christian mother that he’s gay, he can’t find his words. At the behest of his boyfriend, Ario, Connor begrudgingly comes out, which is where the book begins. His rocky relationship with his mother is disintegrating, his frustration with exuberantly out Ario grows, accusations of being the absentee father of his BFF’s baby boy haunt him, and he gets violently absconded to a Christian conversion camp in Costa Rica. And that’s all before the unraveling of a mystery, a murder, gunshots, physical violence, emotional abuse, heat, humidity, and hell on Earth happen in the span of a single day. This story points fingers at despicable zealots and applauds resilient queer kids. Connor’s physical and emotional inability to fully find comfort in being gay isn’t magically erased, acknowledging the difficulty of self-acceptance in the face of disapproving homophobes. Lord of the Flies–like survival skills, murder, and brutal violence (Tasers, spears, guns) fuel the story. And secret sex and romance underscore the lack of social liberty and self-acceptance but also support the optimistic hope of freedom. Connor is White, as is the majority of the cast; Ario is Muslim.

Hard-to-read story, hard-to-stop-reading writing. (Fiction 14-18)

Pub Date: Sept. 15, 2020

ISBN: 978-1-63583-061-3

Page Count: 392

Publisher: Flux

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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