A study of Abstract Expressionism by an art journalist and curator who takes 1950 as the movement's decisive year. Kingsley starts in January of that year, when the painters Mark Rothko, Adolph Gottlieb, and Barnett Newman had one-man shows, and proceeds month by month through the lives of the central figures—including Arshile Gorky, Clyfford Still, David Smith, Jackson Pollock, Willem de Kooning, Hans Hofmann, Franz Kline, Robert Motherwell, and Philip Guston. Like the Impressionists, Kingsley explains, this ``large group of artists with very different styles interacted intensely for a short while and then went their separate ways.'' For the uninitiated, she introduces the artists' work—from Rothko's ``soft-edged'' rectangles to Still's ``grand-size, craggy canvases'' and the painted ``skeins and puddles'' of Pollock (``our first media-made American artist'')— and covers their private lives as well: problems with drinking, overbearing mothers, strained marriages, Gottlieb's sharp clothes, and Still's canvas-cluttered guest room. ``Abstract expressionism arrived with the atomic age,'' Kingsley points out. But the implicit promise of placing the movement into the larger context of N.Y.C. at midcentury, and of the country at the time of McCarthy and the Korean War, is only scantily met. The close-up view of 1950 proves it to have been a crucial year, particularly in bringing this new art to the public, but the calendar-based format loses logical thread as it delves into one artist, then another, moving backward and forward in time, bringing up psychology, criticism, and other aspects of this internally driven art. An informative, sometimes vivid, anecdotal survey that shies away from breakthrough interpretations of the artistic revolution staged almost 50 years ago. (Photographs—including eight pages of color—not seen.)
Pub Date: Aug. 1, 1992
ISBN: 0-671-63857-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1992
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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