An impassioned celebration of Black women and their roles in transforming the nation.
A veteran journalist honors the contributions of Black women in America.
In this “anthem” or “love letter,” Ryan, the Washington, D.C., bureau chief for the Grio, combines an account of her struggles and triumphs as a person of color with a survey of representative Black women who epitomize “our history, our heroism, our hurt, and our Hope.” First, the author looks at the characteristics and motivations of Black leadership; second, the intersection of race and gender as they play out in the efforts of Black women to claim agency in social and political spheres; and finally, speculations on the coming ascendancy of such women in positions of power. Though she moves fluidly across eras, Ryan focuses primarily on her role as a top White House correspondent during the Trump era and her reporting of—and sometimes personal involvement in—a range of stories prompted by his incendiary reign. Among the most memorable sections of the book are her response to the White supremacist terrorist attack in Charlottesville and her own often caustic exchanges with Trump and his representatives during press conferences. Ryan is particularly effective in evocatively setting forth the terms of her calling as a journalist. She argues convincingly that her career has been dedicated to posing questions too often slighted or silenced: “Questions about civil rights. Policing. Migration. Sex trafficking. Poverty. Fairness and equality before the law.” Also cogent are her accounts of recent efforts at voter suppression and the resistance being organized by formidably committed activists. A little more nuance might have been helpful in the author’s assessments of the status of a leader such as Kamala Harris, whose reputation among Black voters seems more complicated than Ryan implies. Overall, though, the author offers compelling commentary on the significance of Black women in contemporary America.
An impassioned celebration of Black women and their roles in transforming the nation.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-321019-6
Page Count: 288
Publisher: Amistad/HarperCollins
Review Posted Online: July 25, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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