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LAST MAN IN TOWER

Adiga nails the culture of corruption. How exciting to watch a writer come into his own, surpassing the achievement of his...

Two strong-willed men, a developer and a holdout, propel this gripping second novel about real estate, greed and community in Mumbai (Bombay), India; Adiga won the Man Booker prize for his debut (The White Tiger, 2008).

There’s a building in Mumbai we get to know as well as the two protagonists. Vishram Society Tower A is an unremarkable six-story structure a stone’s throw from the Vakola slums. Water supply is poor. Pests necessitate visits from the “seven-kinds-of-vermin” man. Still, the building has class. The residents of this co-op are middle-class professionals, respectable people typified by Yogesh Murthy, known as Masterji, the 61-year-old retired physics teacher and recent widower. Mr. Shah is the far from respectable but hugely successful builder. His is a rags-to-riches story; starting with smuggling and slum clearance, he’s now at the top of the heap. Vishram’s two towers’ proximity to the financial center attract his attention. They must be demolished to make way for his magnificent new project. Shah’s buyout offer is generous, but it comes with a strict deadline; acceptance must be unanimous. There are four no votes. Masterji votes no as an act of solidarity with his dear friends the Pintos, an old married couple. Then they’re threatened, and suddenly Masterji is the lone holdout. Stubborn and irascible, he is that rare individual who has no price; he wants nothing. Shah could have his enforcer cripple or kill him, but he wants the building’s gossipy denizens, by now frantic for the money, to do the dirty work. With great skill, Adiga spotlights the slippery slope, as the unthinkable becomes the thinkable and finally the doable. Really, what choice do his neighbors have? The author sets us up for the kill while placing it in context: the riotous sights, sounds and smells of Mumbai.

Adiga nails the culture of corruption. How exciting to watch a writer come into his own, surpassing the achievement of his first novel.

Pub Date: Sept. 1, 2011

ISBN: 978-0-307-59409-9

Page Count: 400

Publisher: Knopf

Review Posted Online: Aug. 1, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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ABSOLUTE POWER

The mother of all presidential cover-ups is the centerpiece gimmick in this far-fetched thriller from first-novelist Baldacci, a Washington-based attorney. In the dead of night, while burgling an exurban Virginia mansion, career criminal Luther Whitney is forced to conceal himself in a walk-in closet when Christine Sullivan, the lady of the house, arrives in the bedroom he's ransacking with none other than Alan Richmond, President of the US. Through the one-way mirror, Luther watches the drunken couple engage in a bout of rough sex that gets out of hand, ending only when two Secret Service men respond to the Chief Executive's cries of distress and gun down the letter-opener-wielding Christy. Gloria Russell, Richmond's vaultingly ambitious chief of staff, orders the scene rigged to look like a break-in and departs with the still befuddled President, leaving Christy's corpse to be discovered at another time. Luther makes tracks as well, though not before being spotted on the run by agents from the bodyguard detail. Aware that he's shortened his life expectancy, Luther retains trusted friend Jack Graham, a former public defender, but doesn't tell him the whole story. When Luther's slain before he can be arraigned for Christy's murder, Jack concludes he's the designated fall guy in a major scandal. Meanwhile, little Gloria (together with two Secret Service shooters) hopes to erase all tracks that might lead to the White House. But the late Luther seems to have outsmarted her in advance with recurrent demands for hush money. The body count rises as Gloria's attack dogs and Jack search for the evidence cunning Luther's left to incriminate not only a venal Alan Richmond but his homicidal deputies. The not-with-a-bang-but-a-whimper climax provides an unsurprising answer to the question of whether a US president can get away with murder. For all its arresting premise, an overblown and tedious tale of capital sins. (Film rights to Castle Rock; Book-of-the-Month selection)

Pub Date: Jan. 18, 1996

ISBN: 0-446-51996-0

Page Count: 480

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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