KONFIDENZ

From exiled Latin American writer Dorfman (Hard Rain, 1990, etc.), a taut political allegory that ambitiously takes on, but doesn't quite resolve, big questions of loyalty, ideology, and truth. Written mostly in the form of dialogue and confessional commentaries in confined, barely described settings, the text often seems closer to a Beckett play than a traditional novel. Though the beginning hints at a conventional mystery—a phone rings as a woman enters her hotel room, ``she picks it up, she hears...a voice she has never heard before''—the suspense elements are soon secondary to the political and personal ones. Leon, the mysterious caller, like Barbara, the woman he calls, is German, the setting is Paris in late August 1939, the politics are anti-fascist and pro- Communist. Leon has befriended Barbara's lover, Martin, a fellow member of the anti-Nazi underground who has fled Germany and is continuing his work from Paris. But Leon, obsessed with an imaginary woman, has used this friendship to lure Barbara to Paris, because he believes she is the incarnation of his dream lover, Susanna, who first appeared to him when he was 12. Like Martin, Leon is a shadowy figure whose existence and motives are not always clear to the narrator, who offers in separate chapters his comments on the story's development, the sufferings of the world, and his/our failures to do more to help. In a nine-hour telephone conversation with Barbara, Leon talks about Susanna, the danger Martin is in (some suspect him of being a Gestapo agent), and his own life and marriage. As the conversation ends, the French police arrive; World War II has just begun, and all Germans are under suspicion. Barbara is eventually freed, but Martin and Leon, both now back in Germany, will not be so fortunate. Heartfelt, but too much packed into a small space, with characters who are political billboards rather than real people.

Pub Date: Jan. 1, 1995

ISBN: 0-374-18218-3

Page Count: 156

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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