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WHERE THE DEAD WALK

From the Andrew MacCrimmon series , Vol. 7

A rock-solid mystery and a twisty melodrama that should please new and returning readers alike.

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In this installment of Croft’s (Palimpsest, 2013, etc.) thriller series, a pathologist helps the police investigate killings of homeless people in San Francisco.

Lt. Daisuke “Dan” Fujioka asks for Dr. Andrew MacCrimmon’s assistance on a fresh murder case: Someone has shot and killed Abel “Chains” Johnson, a man who was living on the streets. Fujioka believes that the murder has a connection to an earlier homicide in which Chains discovered the corpse. In that case, pathologist MacCrimmon identified the body and unearthed information that ultimately led to the killer’s capture. Around the same time as Fujioka’s present-day case, MacCrimmon hears of another murder—a fatal stabbing, and the victim’s mother believes that the doctor himself is the killer. She also claims that MacCrimmon had previously assaulted her son. The latter part is true, but only because the doctor had learned that the man had drugged and raped someone close to him. But he certainly didn’t kill him—and he helps Detective Gino Antonelli find the person who’s truly responsible. Meanwhile, the murders of homeless people continue, and MacCrimmon is convinced the dead man in Antonelli’s case had been a serial rapist. When a homeless person whom MacCrimmon befriended turns up dead, the doctor puts himself in danger in order to unmask the murderer. Further complicating the pathologist’s life is his estranged spouse, Karen. She’s started dating a lawyer, but she’s upset that her husband may be involved with someone, as well. Their own relationship, however volatile, refuses to fizzle out. Croft’s novel, the seventh entry in his series, has strong ties to the preceding six books. Although the author deftly combines the new and recurring storylines, readers who haven’t read the other books may want to peruse them first, if only to avoid spoilers. This time around, Croft painstakingly establishes concurrent mysteries that involve at least two killers and a “Mystery Woman” who cryptically informs the doctor that she plans to make him suffer for an unknown offense. Along the way, the author also provides engrossing backstories for the sympathetic homeless victims. For example, one man is a schizophrenic who hasn’t recovered from losing his twin brother, and another person is afraid that her HIV-positive status will scare away prospective partners. Meanwhile, the events of MacCrimmon’s labyrinthine love life can feel akin to a soap opera at times, albeit an entertaining one. He and Karen, in particular, oscillate between ending their marriage and reigniting their love, which makes their frequent scenes together feel rather repetitive. But their mutual fickleness is also an indication that the love that they share for each other is strong; they both have other romantic partners, for instance, but in neither case has anything sexual occurred. The doctor’s turbulent relationships often spark memorable dialogue, as well. For example, MacCrimmon tries to discourage one woman from a potential romance with a reminder: “Besides, you hate me.” And she coolly responds, “Oh, yes, I’d forgotten.”

A rock-solid mystery and a twisty melodrama that should please new and returning readers alike.

Pub Date: March 11, 2013

ISBN: 978-1-4827-5331-8

Page Count: 336

Publisher: CreateSpace

Review Posted Online: Aug. 23, 2019

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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