Next book

WHERE THE DEAD WALK

From the Andrew MacCrimmon series , Vol. 7

A rock-solid mystery and a twisty melodrama that should please new and returning readers alike.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In this installment of Croft’s (Palimpsest, 2013, etc.) thriller series, a pathologist helps the police investigate killings of homeless people in San Francisco.

Lt. Daisuke “Dan” Fujioka asks for Dr. Andrew MacCrimmon’s assistance on a fresh murder case: Someone has shot and killed Abel “Chains” Johnson, a man who was living on the streets. Fujioka believes that the murder has a connection to an earlier homicide in which Chains discovered the corpse. In that case, pathologist MacCrimmon identified the body and unearthed information that ultimately led to the killer’s capture. Around the same time as Fujioka’s present-day case, MacCrimmon hears of another murder—a fatal stabbing, and the victim’s mother believes that the doctor himself is the killer. She also claims that MacCrimmon had previously assaulted her son. The latter part is true, but only because the doctor had learned that the man had drugged and raped someone close to him. But he certainly didn’t kill him—and he helps Detective Gino Antonelli find the person who’s truly responsible. Meanwhile, the murders of homeless people continue, and MacCrimmon is convinced the dead man in Antonelli’s case had been a serial rapist. When a homeless person whom MacCrimmon befriended turns up dead, the doctor puts himself in danger in order to unmask the murderer. Further complicating the pathologist’s life is his estranged spouse, Karen. She’s started dating a lawyer, but she’s upset that her husband may be involved with someone, as well. Their own relationship, however volatile, refuses to fizzle out. Croft’s novel, the seventh entry in his series, has strong ties to the preceding six books. Although the author deftly combines the new and recurring storylines, readers who haven’t read the other books may want to peruse them first, if only to avoid spoilers. This time around, Croft painstakingly establishes concurrent mysteries that involve at least two killers and a “Mystery Woman” who cryptically informs the doctor that she plans to make him suffer for an unknown offense. Along the way, the author also provides engrossing backstories for the sympathetic homeless victims. For example, one man is a schizophrenic who hasn’t recovered from losing his twin brother, and another person is afraid that her HIV-positive status will scare away prospective partners. Meanwhile, the events of MacCrimmon’s labyrinthine love life can feel akin to a soap opera at times, albeit an entertaining one. He and Karen, in particular, oscillate between ending their marriage and reigniting their love, which makes their frequent scenes together feel rather repetitive. But their mutual fickleness is also an indication that the love that they share for each other is strong; they both have other romantic partners, for instance, but in neither case has anything sexual occurred. The doctor’s turbulent relationships often spark memorable dialogue, as well. For example, MacCrimmon tries to discourage one woman from a potential romance with a reminder: “Besides, you hate me.” And she coolly responds, “Oh, yes, I’d forgotten.”

A rock-solid mystery and a twisty melodrama that should please new and returning readers alike.

Pub Date: March 11, 2013

ISBN: 978-1-4827-5331-8

Page Count: 336

Publisher: CreateSpace

Review Posted Online: Aug. 23, 2019

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview