by Arnold Schwarzenegger with Peter Petre ‧ RELEASE DATE: Oct. 1, 2012
A vapid, hulking doorstopper of a self-tribute.
Immigrant muscleman, action-movie star and former California governor pumps himself up.
In what reads more like a 650-page annotated résumé than a dishy celebrity memoir, the life story of Schwarzenegger (The New Encyclopedia of Modern Bodybuilding, 1999, etc.) seems to have been penned by his soulless celluloid alter ego, the Terminator. Born in Austria the son of a card-carrying Nazi, the author began idolizing bodybuilders as a youngster. After a slapstick-filled stint as a tank driver in the Austrian army, Schwarzenegger dove headfirst into the world of bodybuilding, flexing and posing his way to the Mr. Universe title by the time he was 21. He then invaded America. From here, the author drags us through his version of the American dream: the endless weight training, real estate deals, political suckups and bad movies; the Humvee and private jet; his affair with Amazon man-hunter Brigitte Nielsen and rivalry with Sly Stallone; his love for Richard Nixon, his penchant for saying “outrageous” (read: stupid) things and his pathological zeal for self-promotion, and much more. Schwarzenegger documents his one-man Hollywood takeover in a blur of name-dropping and efficiently adds up the profits from each of his movies. By 2010, in addition to being a washed-up actor, the author was also the dubious mastermind behind the flashy culinary failure of Planet Hollywood and a lame-duck conservative ex-governor with record-low approval ratings. But just when it seemed like he was out of the spotlight, Schwarzenegger stirred up some saucy domestic drama, admitting to his wife that he impregnated the family housekeeper in 1996. Yet the iron-willed author admits to few imperfections and apologizes for little.
A vapid, hulking doorstopper of a self-tribute.Pub Date: Oct. 1, 2012
ISBN: 978-1-4516-6243-6
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2012
Kirkus Reviews Issue: Nov. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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