MAUS: A SURVIVOR'S TALE

VOL. II, AND HERE MY TROUBLES BEGAN

Together with the much-acclaimed first volume of Spiegelman's Maus (1987—not reviewed), this unusual Holocaust tale will forever alter the way serious readers think of graphic narratives (i.e., comic books). For his unforgettable combination of words and pictures, Spiegelman draws from high and low culture, and blends autobiography with the story of his father's survival of the concentration camps. In funny-book fashion, the all-too-real characters here have the heads of animals—the Jews are mice, the Nazis are rats, and the Poles are pigs—a stark Orwellian metaphor for dehumanized relations during WW II. Much of Spiegelman's narrative concerns his own struggle to coax his difficult father into remembering a past he'd rather forget. What emerges in father Vladek's tale is a study in survival; he makes it through by luck, randomness, and cleverness. Physically strong, he bluffs his way through the camps as a tinsmith and a shoemaker, and also exploits his ability with languages. Every day in Auschwitz, and later in Dachau, demands new bribes and masterly bartering. All of this helps explain Vladek's art of survival in the present: his cheap, miserly behavior; his disappointment over Spiegelman's marriage to a non-Jew; his constant criticism of his own second wife and his son; and even his inexcusable racism. Haunted by the brother who died in the camps, Spiegelman (born in postwar Sweden) also mourns his mother, who survived only to commit suicide in the late 60's. Within the time span of the writing of Maus (1978-91), Vladek died, and Spiegelman now must sort out his complex feelings as he reflects on the success of the first volume—a success built on the tragedy of the Holocaust. With all his doubts, Spiegelman pushes on, realizing that his book deserves a place in the ongoing struggle between memory and forgetting. Full of hard-earned humor and pathos, Maus (I and II) takes your breath away with its stunning visual style, reminding us that while we can never forget the Holocaust, we may need new ways to remember.

Pub Date: Nov. 1, 1991

ISBN: 0-394-55655-0

Page Count: 144

Publisher: Pantheon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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