Perceptive and droll; Moore paints his story in dark but striking colors.
Moore’s first foray into fiction (The Powers of Preservation, 1998) is a black comedy about a struggling artist who finds a killing device that might prove beneficial to his career.
Pete Preston is an ambitious painter but not a successful one. He makes ends meet by taking odd jobs, until the day he happens upon a calculator that, by simply pressing 5, kills whatever, or whomever, it’s pointed at with a heart attack. Pete dispatches a few unwholesome characters, at least one in self-defense, but it isn’t long before those haughty art critics, who so often denounce Pete’s work for their own agendas (like a promotion), become targets. The novel, despite featuring a protagonist who ultimately (and correctly) defines himself as a serial killer, takes a tongue-in-cheek approach. The comedy is decidedly dark—there’s a joke about a school where only the older students are permitted to carry guns—but many scenes are undeniably humorous, even when they stray from the main plot, like the story of the local “Crazy Couple” and their bumbling attempts to kill one another or Pete and his pals’ cross-dressing for performance art back in the ’70s. Moore doesn’t handle the notion of murder with nonchalance: Pete often regrets the killings, regardless of how horrible the person may have been, and after a bookie witnesses Pete using his calculator, the painter doesn’t take lightly an offer of millions to assassinate the president. The story is also quite profound, as the method of offing someone is so easy (and easy to pass off as accidental) that it focuses almost solely on the consequences of murder; Pete spends more time debating whether he made the right choice than worrying about being caught. There is, however, enough death to catch police attention, which adds dashes of suspense to the narrative. The author, an architect and painter, lovingly portrays both professions: an artist who’s genuinely hurt by criticisms of his work and who enjoys pretending to be an architect at a cocktail party. The ending, even if readers can guess it, is wickedly funny.
Perceptive and droll; Moore paints his story in dark but striking colors.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Feb. 20, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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