Both haunted and haunting
A ghost story that twists urban legends with the identifiable struggles of a latchkey kid.
It’s the summer of 1979, and young Ray is thrilled when he and his mother, stepfather and three older brothers finally move out of the projects and into a converted duplex in Austin, Texas. The neighborhood has everything a kid could ask for, including a dirt lot where Ray and his friends build a tree house. Ray’s youngest brother, Richard, has a special gift for storytelling and the pair spend many an afternoon high in the branches, entertaining their friends. Soon Ray learns that a terrible fire destroyed the house that once stood on the empty lot, killing the family inside. Ray’s friends say the remains are still in the lot, buried in a hole that’s guarded by an angry spirit. To prove them wrong, Ray jumps in the hole—with disastrous results. A ghostly burn victim Ray calls Candle Face crawls out of the ground like the demonic girl of the 2004 film The Ring and into his bedroom, enacting a vendetta that’s reminiscent of the 2001 thriller The Grudge. This alone would send shivers down the spine of any kid who has ever chanted “Bloody Mary” in the bathroom mirror, but the horror of the book also lies in the real world. Ray’s overworked parents have little time to notice when Richard, a star student, begins losing interest in his schoolwork, or how Ray is often the victim of his older brothers’ bullying. Between a vengeful spirit and a family in crisis, if Ray is to make it out of his childhood alive, he’ll have to learn how to fight his own battles. Now a soldier facing deployment to Kosovo, a grown-up Ray narrates, offering hindsight and the occasional italicized foreshadowing. In a coming-of-age story that’s well paced and layered with emotion, Mills creates moments of true suspense through guileless prose as he unearths a family tragedy.
Both haunted and hauntingPub Date: April 24, 2010
ISBN: 978-1-4500-7222-9
Page Count: 374
Publisher: Xlibris
Review Posted Online: June 21, 2010
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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