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IN RETROSPECT

THE HISTORY OF A HISTORIAN

As a historian Professor Schlesinger has sired some significant scholarship; as a father he's also sired one of President Kennedy's hot-shot Special Assistants; nevertheless, his In Retrospect is about as invigorating as a Class Report. "This memoir", says the professor, overstating the case considerably, "attests one man's reactions to the times, though as a teacher and writer of American history I was mainly an observer of great events, seldom an actor in them"....Yes indeed. The times range from a midwestern town of the horse and buggy days to various academic engagements at Ohio State, Columbia, Iowa State, Harvard; the events cover random reflections on the New Deal, the World Wars, schoolbook censorship and academic freedom the ADA and McCarthyism, early socio-economic movements and a series of shifts in historical studies. It's all pleasantly donnish and dim. One or two good lines, e.g., "the Harvard community presented something of a cellular structure, with little communication among its parts". The following, however, is more typical. "Next year, though it seems impossible that the time could have passed so fast, we will reach the golden anniversary of our marriage". Well, that's about his speed. For the faculty clubs.

Pub Date: June 15, 1963

ISBN: N/A

Page Count: -

Publisher: Harcourt, Brace & World

Review Posted Online: May 22, 2012

Kirkus Reviews Issue: June 15, 1963

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WALKING PREY

HOW AMERICA'S YOUTH ARE VULNERABLE TO SEX SLAVERY

A powerful voice on behalf of young people who should not be stigmatized but need support from schools and communities to...

An unvarnished account of one woman's painful “journey from victim to survivor,” as she came to understand the “dynamics of commercial sexual exploitation, especially child sex trafficking.”

In this debut, Smith, a public advocate for trafficking victims, begins in 1992 with her own experience. At the age of 14, she was briefly a prostitute before being rescued by the police. Since she was manipulated rather than subjected to violence, she was shamed by the false belief that she had chosen to be a prostitute. Only in 2009, three years after her marriage, did she feel able to reveal her story and give testimony before Congress. She blames the media for objectifying sexuality and creating an environment in which an estimated 100,000 in the U.S. are victimized annually. Smith describes how one afternoon, she was walking through the mall when a young man approached her. They flirted briefly, and he slipped her his phone number, asking her to get in touch. She describes her vulnerability to his approach. She was socially insecure. Both of her parents were alcoholics, and before the age of 10, she had been repeatedly abused sexually by a cousin. In her eagerness to have a boyfriend, she responded to his come-on and agreed to a meeting. As it turned out, he was profiling her for a pimp, and it was the pimp who met her—accompanied by a prostitute, there to show her the ropes. Their approach was nonthreatening, and they suggested that, in the future, she might have a career in modeling. Many unhappy children, writes the author, “are lured into trusting their traffickers” due to their lack of self-esteem. In the aftermath of the experience, although she finished college and had a successful career, Smith struggled with depression and substance abuse.

A powerful voice on behalf of young people who should not be stigmatized but need support from schools and communities to protect them from predators.

Pub Date: March 18, 2014

ISBN: 978-1-137-27873-9

Page Count: 256

Publisher: Palgrave Macmillan

Review Posted Online: Jan. 19, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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