Lovers of political memoirs may be dissatisfied, but readers interested in media and politics will learn a lot from the...
Charming memoir by the first official White House videographer.
Chaudhary, a punk rocker turned film professor, joined the Obama campaign in 2007, thanks to the aid of a friend on the New Media team, not even expecting the candidate would win the primaries. With a mission to gain the junior senator from Illinois as much YouTube exposure as possible, Chaudhary and associates developed a rapid-fire method of documentary filmmaking, capturing Obama in as many lights as possible: making campaign stops, chatting with volunteers and potential voters, taking the stage before a speech, making major addresses, etc. In the process, Obama’s team developed a new style of campaigning suited to the Internet age, a style that future campaigns will surely try to replicate. The point was not to make viral videos, but rather a large and diverse array of little films that could appeal to the broadest cross section of the electorate and show off the candidate’s “authenticity” to best effect. Chaudhary became one of Obama’s constant companions; fortunately for him, Obama enjoyed his slightly warped sense of humor and offbeat style, so much so that, after the election, he was invited to join the transition team and then forge a place for himself in the White House. Half joking, the author refers to the position, which he left in 2011, as being like the president’s wedding videographer, “if every day is a wedding.” Chaudhary was also responsible for creating and maintaining the popular West Wing Week, a weekly video roundup of White House events on whitehouse.gov. While he is amusing on the subjects of his modest “rise to power” and what he saw at the White House, the author writes with some passion about the history, uses and craft of political image-making, and he seems more comfortable offering pithy critiques of campaign aids than political gossip.
Lovers of political memoirs may be dissatisfied, but readers interested in media and politics will learn a lot from the lessons Chaudhary took away from his experiences.Pub Date: Aug. 21, 2012
ISBN: 978-0-8050-9572-2
Page Count: 320
Publisher: Times/Henry Holt
Review Posted Online: June 25, 2012
Kirkus Reviews Issue: July 15, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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