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FIFTY WORDS FOR RAIN

A bold historical portrait of a woman overcoming oppression marred by inconsistent character development.

Born into a noble Japanese family during World War II, Noriko Kamiza should be a princess, but her illegitimacy makes her a disgrace to her own family.

At only 8 years old, Nori is left at her maternal grandparents’ manor in Kyoto. As she abandons her daughter, Nori's mother gives her a bit of advice: Obey your grandparents. Do not resist. Nori's grandparents are horrified at Nori's very existence: Her skin color, which reveals that her father was an African American serviceman, is visible proof of their daughter's infidelity. Nori's life will be hard, and Lemmie's debut novel traces her journey from being hidden in her grandparents’ attic, beaten, and subjected to painful bleach baths to lighten her skin; to being sold to a brothel and groomed for sale to the highest bidder; to being rescued and finding freedom from her grandmother's abuse. Meanwhile, Nori discovers that she has an older half brother named Akira. Seeing Akira as the only hope to redeem the family’s honor, Nori’s grandmother is dismayed to witness Akira and Nori's deep love for each other. Lemmie’s sweeping historical backdrop, from the post–World War II decline of minor royalty through the expanding liberations of the 1960s, is breathtaking. Unfortunately, Nori’s own metamorphosis into a strong young woman is inconsistent and a bit confusing. Again and again, just when we think she has found a deep internal strength to endure or even overcome adversity, Nori lapses into a shrill childish tantrum. Moreover, the majority of the novel propels Nori toward a grand moment of defying her grandmother, but in the final pages Lemmie pulls her punch, leading the reader to wonder if Nori has another plan up her sleeve to be played out in a sequel.

A bold historical portrait of a woman overcoming oppression marred by inconsistent character development.

Pub Date: Sept. 22, 2020

ISBN: 978-1-5247-4636-0

Page Count: 464

Publisher: Dutton

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

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During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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ANITA DE MONTE LAUGHS LAST

An uncompromising message, delivered via a gripping story with two engaging heroines.

An undergraduate at Brown University unearths the buried history of a Latine artist.

As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.

An uncompromising message, delivered via a gripping story with two engaging heroines.

Pub Date: March 5, 2024

ISBN: 9781250786210

Page Count: 352

Publisher: Flatiron Books

Review Posted Online: Nov. 18, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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