A bold historical portrait of a woman overcoming oppression marred by inconsistent character development.
Born into a noble Japanese family during World War II, Noriko Kamiza should be a princess, but her illegitimacy makes her a disgrace to her own family.
At only 8 years old, Nori is left at her maternal grandparents’ manor in Kyoto. As she abandons her daughter, Nori's mother gives her a bit of advice: Obey your grandparents. Do not resist. Nori's grandparents are horrified at Nori's very existence: Her skin color, which reveals that her father was an African American serviceman, is visible proof of their daughter's infidelity. Nori's life will be hard, and Lemmie's debut novel traces her journey from being hidden in her grandparents’ attic, beaten, and subjected to painful bleach baths to lighten her skin; to being sold to a brothel and groomed for sale to the highest bidder; to being rescued and finding freedom from her grandmother's abuse. Meanwhile, Nori discovers that she has an older half brother named Akira. Seeing Akira as the only hope to redeem the family’s honor, Nori’s grandmother is dismayed to witness Akira and Nori's deep love for each other. Lemmie’s sweeping historical backdrop, from the post–World War II decline of minor royalty through the expanding liberations of the 1960s, is breathtaking. Unfortunately, Nori’s own metamorphosis into a strong young woman is inconsistent and a bit confusing. Again and again, just when we think she has found a deep internal strength to endure or even overcome adversity, Nori lapses into a shrill childish tantrum. Moreover, the majority of the novel propels Nori toward a grand moment of defying her grandmother, but in the final pages Lemmie pulls her punch, leading the reader to wonder if Nori has another plan up her sleeve to be played out in a sequel.
A bold historical portrait of a woman overcoming oppression marred by inconsistent character development.Pub Date: Sept. 22, 2020
ISBN: 978-1-5247-4636-0
Page Count: 464
Publisher: Dutton
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.
A time-toying spy romance that’s truly a thriller.
In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.Pub Date: May 7, 2024
ISBN: 9781668045145
Page Count: 352
Publisher: Avid Reader Press
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
PERSPECTIVES
SEEN & HEARD
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