Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

GHOST DAYS

A finely constructed linked story collection full of Indigenous American ghosts and goblins.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Elbein shares tales of a turn-of-the-century Appalachian witch in this illustrated debut story collection.

After her husband, Tom, stumbles back to their cabin in a remote Appalachian holler near death and muttering the word “Ewah,” Anna O’Brien knows that the only way to help him is to seek out the aid of the local witch. The witch confirms that an Ewah—an ancient spirit of madness—has possessed Tom, and it will be nearly impossible to save him: “ ‘To banish the Ewah,’ the witch said, soft, ‘you need power, and power is a strange thing. Some you have. Some you have to trade for. A price higher, perhaps, than you wish to pay.’ ” The witch gives Anna the Wampus Mask to drive away the Ewah, but this might not cure Tom, and Anna might lose even more than a husband. In these eight stories, Elbein unspools the legend of Anna O’Brien, the one-legged witch of the Appalachians. In “Night on the Bald,” Anna tries to avoid spending a night in the open by following a dog to an abandoned church, but she ends up amid a coven of witches—led by a malignant raven spirit—thirsty for stolen souls. In “The Revenant Score,” Anna attempts to exorcize a gold-guarding ghost from a lonely graveyard by delivering a message to a living family only to end up a hostage in a bank robbery. In “Pretty Flowers Are Made for Blooming,” a pair of women in a farmhouse invite the traveling Anna in out of the rain, though she soon learns she’s not the only magical being expected for supper. Through hollows and mountain villages, these eight stories track Anna, whose powers bloom as she combats an increasingly strange and dangerous assortment of beasts and spirits straight out of campfire stories. Elbein’s prose is crisp and highly sensory, building tension within each fable with the skill of a veteran storyteller: “When the first movement came under her foot it was a soft shiver, like a sleeper waking from a dream. Anna O’Brien straightened and held up the lamp, the light playing over the gravestones and dried dogsbane, sparkling off the rocks. As she shifted something knocked, deep down below.” The ghouls that populate Anna’s world come mostly from Cherokee mythology—Anna is herself of Cherokee descent—which provides a surprising, refreshing change from typical European-influenced American fabulist fiction. Each story stands alone, but cumulatively, they outline the evolution of Anna from a rural housewife to an old wives’ tale in her own right. Accompanying the collection are marvelous full-page illustrations by Turrill, which help the reader to better picture Anna’s antagonists, like the soul-devouring Kalona Ayeliski, or Raven Mocker. Though Anna is an original character of Elbein’s, the ways the author and illustrator texture her give her the feel of a Rip Van Winkle or Ichabod Crane: a character who has been wandering hills—and storybooks—for generations.

A finely constructed linked story collection full of Indigenous American ghosts and goblins.

Pub Date: N/A

ISBN: 978-1-73297-641-2

Page Count: -

Publisher: Campanian Press

Review Posted Online: Feb. 15, 2019

Kirkus Reviews Issue: March 15, 2019

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:
Close Quickview