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GHOST DAYS

A finely constructed linked story collection full of Indigenous American ghosts and goblins.

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Elbein shares tales of a turn-of-the-century Appalachian witch in this illustrated debut story collection.

After her husband, Tom, stumbles back to their cabin in a remote Appalachian holler near death and muttering the word “Ewah,” Anna O’Brien knows that the only way to help him is to seek out the aid of the local witch. The witch confirms that an Ewah—an ancient spirit of madness—has possessed Tom, and it will be nearly impossible to save him: “ ‘To banish the Ewah,’ the witch said, soft, ‘you need power, and power is a strange thing. Some you have. Some you have to trade for. A price higher, perhaps, than you wish to pay.’ ” The witch gives Anna the Wampus Mask to drive away the Ewah, but this might not cure Tom, and Anna might lose even more than a husband. In these eight stories, Elbein unspools the legend of Anna O’Brien, the one-legged witch of the Appalachians. In “Night on the Bald,” Anna tries to avoid spending a night in the open by following a dog to an abandoned church, but she ends up amid a coven of witches—led by a malignant raven spirit—thirsty for stolen souls. In “The Revenant Score,” Anna attempts to exorcize a gold-guarding ghost from a lonely graveyard by delivering a message to a living family only to end up a hostage in a bank robbery. In “Pretty Flowers Are Made for Blooming,” a pair of women in a farmhouse invite the traveling Anna in out of the rain, though she soon learns she’s not the only magical being expected for supper. Through hollows and mountain villages, these eight stories track Anna, whose powers bloom as she combats an increasingly strange and dangerous assortment of beasts and spirits straight out of campfire stories. Elbein’s prose is crisp and highly sensory, building tension within each fable with the skill of a veteran storyteller: “When the first movement came under her foot it was a soft shiver, like a sleeper waking from a dream. Anna O’Brien straightened and held up the lamp, the light playing over the gravestones and dried dogsbane, sparkling off the rocks. As she shifted something knocked, deep down below.” The ghouls that populate Anna’s world come mostly from Cherokee mythology—Anna is herself of Cherokee descent—which provides a surprising, refreshing change from typical European-influenced American fabulist fiction. Each story stands alone, but cumulatively, they outline the evolution of Anna from a rural housewife to an old wives’ tale in her own right. Accompanying the collection are marvelous full-page illustrations by Turrill, which help the reader to better picture Anna’s antagonists, like the soul-devouring Kalona Ayeliski, or Raven Mocker. Though Anna is an original character of Elbein’s, the ways the author and illustrator texture her give her the feel of a Rip Van Winkle or Ichabod Crane: a character who has been wandering hills—and storybooks—for generations.

A finely constructed linked story collection full of Indigenous American ghosts and goblins.

Pub Date: N/A

ISBN: 978-1-73297-641-2

Page Count: -

Publisher: Campanian Press

Review Posted Online: Feb. 15, 2019

Kirkus Reviews Issue: March 15, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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