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GHOST DAYS

A finely constructed linked story collection full of Indigenous American ghosts and goblins.

Awards & Accolades

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Elbein shares tales of a turn-of-the-century Appalachian witch in this illustrated debut story collection.

After her husband, Tom, stumbles back to their cabin in a remote Appalachian holler near death and muttering the word “Ewah,” Anna O’Brien knows that the only way to help him is to seek out the aid of the local witch. The witch confirms that an Ewah—an ancient spirit of madness—has possessed Tom, and it will be nearly impossible to save him: “ ‘To banish the Ewah,’ the witch said, soft, ‘you need power, and power is a strange thing. Some you have. Some you have to trade for. A price higher, perhaps, than you wish to pay.’ ” The witch gives Anna the Wampus Mask to drive away the Ewah, but this might not cure Tom, and Anna might lose even more than a husband. In these eight stories, Elbein unspools the legend of Anna O’Brien, the one-legged witch of the Appalachians. In “Night on the Bald,” Anna tries to avoid spending a night in the open by following a dog to an abandoned church, but she ends up amid a coven of witches—led by a malignant raven spirit—thirsty for stolen souls. In “The Revenant Score,” Anna attempts to exorcize a gold-guarding ghost from a lonely graveyard by delivering a message to a living family only to end up a hostage in a bank robbery. In “Pretty Flowers Are Made for Blooming,” a pair of women in a farmhouse invite the traveling Anna in out of the rain, though she soon learns she’s not the only magical being expected for supper. Through hollows and mountain villages, these eight stories track Anna, whose powers bloom as she combats an increasingly strange and dangerous assortment of beasts and spirits straight out of campfire stories. Elbein’s prose is crisp and highly sensory, building tension within each fable with the skill of a veteran storyteller: “When the first movement came under her foot it was a soft shiver, like a sleeper waking from a dream. Anna O’Brien straightened and held up the lamp, the light playing over the gravestones and dried dogsbane, sparkling off the rocks. As she shifted something knocked, deep down below.” The ghouls that populate Anna’s world come mostly from Cherokee mythology—Anna is herself of Cherokee descent—which provides a surprising, refreshing change from typical European-influenced American fabulist fiction. Each story stands alone, but cumulatively, they outline the evolution of Anna from a rural housewife to an old wives’ tale in her own right. Accompanying the collection are marvelous full-page illustrations by Turrill, which help the reader to better picture Anna’s antagonists, like the soul-devouring Kalona Ayeliski, or Raven Mocker. Though Anna is an original character of Elbein’s, the ways the author and illustrator texture her give her the feel of a Rip Van Winkle or Ichabod Crane: a character who has been wandering hills—and storybooks—for generations.

A finely constructed linked story collection full of Indigenous American ghosts and goblins.

Pub Date: N/A

ISBN: 978-1-73297-641-2

Page Count: -

Publisher: Campanian Press

Review Posted Online: Feb. 15, 2019

Kirkus Reviews Issue: March 15, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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