Young has said that her essays emerge from feelings of awkwardness about herself and her place in the world, but with this...
A debut collection of essays from Young (Creative Writing/Victoria Univ. of Wellington; Magnificent Moon, 2013), a poet and editor with Victoria University Press in New Zealand.
The author has a clean, generally engaging writing style, though she has a tendency to meander. Important passages sometimes lack context, and several pieces would benefit from more background and fleshing out. Young’s defining strengths are honesty, sharp observational skills, and sensitivity shorn of sentimentality. Most of these essays originally appeared in various New Zealand literary magazines and journals, and there are cultural references and colloquialisms that may puzzle some readers. Nor are all the entries essays in the strictest sense. Many read like short stories or rather eccentric reminiscences, especially “Big Red,” a long account of a not-terribly-interesting family. The collection’s better pieces—“Katherine Would Approve,” “Sea of Trees,” and “Wolf Man”—reflect on such concerns as memory, impermanence, self-consciousness, the nature of solitude, and the author’s acute body awareness. Young is undeniably thoughtful, and she displays flair. She can arrest you with a glorious passage, a searching perception, or exquisitely apt metaphors and similes. But even some of her finer essays risk undercutting their potency with random endings, not so much open-ended as abrupt or flat. At the same time, the author reveals wisdom beyond her years and is a highly sympathetic figure. Young's verse has been praised for its “restrained exuberance,” though such buoyancy is seldom on display here. The writing is measured and marked more by wistfulness and melancholy, though her curiosity and imagination are always engaged. Given the author's talent and depth of vision, readers can expect continued improvement in her nonfiction work.
Young has said that her essays emerge from feelings of awkwardness about herself and her place in the world, but with this collection and those to follow, the world of this promising New Zealander is about to become wider.Pub Date: July 3, 2018
ISBN: 978-0-525-53403-7
Page Count: 256
Publisher: Riverhead
Review Posted Online: April 10, 2018
Kirkus Reviews Issue: May 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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