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ALL THAT IS BITTER AND SWEET

A MEMOIR

With the assistance of co-author Vollers (Lone Wolf: Eric Rudolph: Murder, Myth, and the Pursuit of an American Outlaw, 2006, etc.), actress Judd delivers a keenly felt memoir of a dysfunctional upbringing twined with an adult life of progressive social advocacy.

Some wag once said that the Judd family put the “fun” in dysfunctional, but Ashley remembers the turbulence rather differently, as “a family full of hatred, fighting, accusation, manipulation, abandonment, and emotional and physical abuse,” with everything “from depression, suicide, alcoholism, and compulsive gambling to incest and suspected murder. Judd examines her difficult history, braiding it with her current days as a committed activist for human rights. Though she calls readers’ attention to her movie-star status as she rubs humanitarian-circuit shoulders with Bono, Juanes (“the Colombian rock superstar”) and Bollywood’s Akshay Kumar (“the Indian equivalent of Will Smith or Bruce Willis, but with a fan base of a billion people”), she also comes across as a piercingly effective global ambassador for Population Services International, tackling issues of reproductive health and child survival. At first, she was undone by her visits to third-world brothels, but she eventually realized that her own sexual abuse was causing the over-identification, subverting her agenda. “I understand the urge to rescue everybody,” says her PSI boss, “but that’s not how it works. PSI is not a rescue organization. We are a public health organization.” The author writes with a sure hand of the many difficult themes she addresses: her journey of emotional recovery (a fine chapter on her rehab for codependency and depression), her spiritual quest, finding the humanity in the sexual perpetrators and making tangible her toils for social justice. Judd is also a solid painter of place, from the most squalid sex factory to the rural sweetness of her Tennessee home. A passionate reminder of the breathtaking misery of so many lives, and one woman’s work in their service.

 

Pub Date: April 5, 2011

ISBN: 978-0-345-52361-7

Page Count: 432

Publisher: Ballantine

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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