ALL THAT IS BITTER AND SWEET

A MEMOIR

With the assistance of co-author Vollers (Lone Wolf: Eric Rudolph: Murder, Myth, and the Pursuit of an American Outlaw, 2006, etc.), actress Judd delivers a keenly felt memoir of a dysfunctional upbringing twined with an adult life of progressive social advocacy.

Some wag once said that the Judd family put the “fun” in dysfunctional, but Ashley remembers the turbulence rather differently, as “a family full of hatred, fighting, accusation, manipulation, abandonment, and emotional and physical abuse,” with everything “from depression, suicide, alcoholism, and compulsive gambling to incest and suspected murder. Judd examines her difficult history, braiding it with her current days as a committed activist for human rights. Though she calls readers’ attention to her movie-star status as she rubs humanitarian-circuit shoulders with Bono, Juanes (“the Colombian rock superstar”) and Bollywood’s Akshay Kumar (“the Indian equivalent of Will Smith or Bruce Willis, but with a fan base of a billion people”), she also comes across as a piercingly effective global ambassador for Population Services International, tackling issues of reproductive health and child survival. At first, she was undone by her visits to third-world brothels, but she eventually realized that her own sexual abuse was causing the over-identification, subverting her agenda. “I understand the urge to rescue everybody,” says her PSI boss, “but that’s not how it works. PSI is not a rescue organization. We are a public health organization.” The author writes with a sure hand of the many difficult themes she addresses: her journey of emotional recovery (a fine chapter on her rehab for codependency and depression), her spiritual quest, finding the humanity in the sexual perpetrators and making tangible her toils for social justice. Judd is also a solid painter of place, from the most squalid sex factory to the rural sweetness of her Tennessee home. A passionate reminder of the breathtaking misery of so many lives, and one woman’s work in their service.

 

Pub Date: April 5, 2011

ISBN: 978-0-345-52361-7

Page Count: 432

Publisher: Ballantine

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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