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GIRL IN THE WOODS

A MEMOIR

A memoir of self-discovery by a young writer who still has more work to do.

Finding redemption after trauma.

Matis sets up the book as a narrative of salvation. On her second night at college, she was raped in her dorm room. Understandably devastated, she dropped out after her freshman year and decided to hike the Pacific Crest Trail, à la Cheryl Strayed in Wild. Matis periodically reaches back to her childhood in a leafy suburb of Massachusetts, the daughter of two Boston lawyers, to attempt to explain a nagging feeling of not belonging: friends at school teased her for the unfashionable clothes her mother bought her; the girls in her cabin at sleepaway camp teased her; her mother insisted on dressing her until she was well into her teens. Unfortunately, the author is repetitive (“It was a new day, a beautiful one, and I was the director of my life…”; "This time, I'd become the director of my life"), which causes the narrative to bloat (by nearly 100 pages). She also comes off as tone-deaf when she describes her journey on the trail, a trip funded by her parents: “The PCT would end, and I felt panicked. I’d be truly homeless, directionless”—though she also realized that she “could not return to the person she’d picked for me to be. My relationship with my mother trapped me in the identity of a child.” Matis writes vividly of the culture of the PCT—the special treats the locals put out for hikers to find, called “trail magic,” or the “trail angels” who host hikers in small towns along the way—and she is bold in her willingness to expose her psychic wounds. However, it’s difficult to remain sympathetic to her struggles when she widens her frame of victimhood to include her feelings of unattractiveness, her efforts to pry herself from her mother’s smothering grip, and her inability to put in contact lenses or swallow pills.

A memoir of self-discovery by a young writer who still has more work to do.

Pub Date: Sept. 8, 2015

ISBN: 978-0-06-229106-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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