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GIRL IN THE WOODS

A MEMOIR

A memoir of self-discovery by a young writer who still has more work to do.

Finding redemption after trauma.

Matis sets up the book as a narrative of salvation. On her second night at college, she was raped in her dorm room. Understandably devastated, she dropped out after her freshman year and decided to hike the Pacific Crest Trail, à la Cheryl Strayed in Wild. Matis periodically reaches back to her childhood in a leafy suburb of Massachusetts, the daughter of two Boston lawyers, to attempt to explain a nagging feeling of not belonging: friends at school teased her for the unfashionable clothes her mother bought her; the girls in her cabin at sleepaway camp teased her; her mother insisted on dressing her until she was well into her teens. Unfortunately, the author is repetitive (“It was a new day, a beautiful one, and I was the director of my life…”; "This time, I'd become the director of my life"), which causes the narrative to bloat (by nearly 100 pages). She also comes off as tone-deaf when she describes her journey on the trail, a trip funded by her parents: “The PCT would end, and I felt panicked. I’d be truly homeless, directionless”—though she also realized that she “could not return to the person she’d picked for me to be. My relationship with my mother trapped me in the identity of a child.” Matis writes vividly of the culture of the PCT—the special treats the locals put out for hikers to find, called “trail magic,” or the “trail angels” who host hikers in small towns along the way—and she is bold in her willingness to expose her psychic wounds. However, it’s difficult to remain sympathetic to her struggles when she widens her frame of victimhood to include her feelings of unattractiveness, her efforts to pry herself from her mother’s smothering grip, and her inability to put in contact lenses or swallow pills.

A memoir of self-discovery by a young writer who still has more work to do.

Pub Date: Sept. 8, 2015

ISBN: 978-0-06-229106-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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