In this first English language edition of Lindgren’s 1959 tale, two orphaned children escape their sad world of forced labor and grinding poverty by following a red bird to a hidden doorway, beyond which lies Sunnymead, a warm, bright land where children play and a Mother provides lavish amounts of food and love. In Törnqvist’s new illustrations the orphans, Matthew and Anna, are small figures, hunched and grey in their drably wintry rural setting, but standing straighter, and clad in red, once they enter Sunnymead’s lambent, grassy woodland. Crampton’s translation conveys a lyrical tone—“All the loveliness of spring burst over them in one exultant instant: A thousand little birds sang, rejoicing in the trees;”—in keeping with the author’s metaphoric contrast between the landscape of idealized childhood and its grim, colorless, “real” counterpart. In the end, knowing that their act cannot be undone, Matthew and Anna close the door on that ugly world forever—a choice that will seem reasonable to younger readers, and will also resonate with fans of Oscar Wilde’s sentimental, symbolic fairy tales. (Fiction. 8-10)
Pub Date: April 1, 2005
ISBN: 0-439-62796-6
Page Count: 48
Publisher: Levine/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)
Pub Date: April 23, 2007
ISBN: 0-618-75043-6
Page Count: 192
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Flattened once more, this time not by a falling bulletin board but a double blow to his elusive “Osteal Balance Point”—or so says family GP Dr. Dan—Stanley Lambchop gets two more chances to play the hero before popping back into shape. First he becomes a human spinnaker in a sailboat race, then he worms his way through the wreckage of a collapsed building to rescue ever-rude classmate Emma Weeks. Alluding to previous episodes, Stanley complains, “Why me? Why am I always getting flat, or invisible, or something?” Mr. Lambchop replies, “But things often happen without there seeming to be a reason, and then something else happens, and suddenly the first thing seems to have had a purpose after all.” Perhaps—even if that purpose is just to tread water, as Brown does here. Still, with its cartoon illustrations, well-leaded text and general goofiness, this retread is as likely to draw transitional readers as the perennial favorite Flat Stanley (1964) and its sequels. (Fiction. 8-10)
Pub Date: March 1, 2003
ISBN: 0-06-009551-2
Page Count: 96
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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