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J. EDGAR HOOVER, SEX, AND CRIME

AN HISTORIAL ANTIDOTE

A trenchant deconstruction of much-ballyhooed revelations (in Official and Confidential: The Secret Life of J. Edgar Hoover, by Anthony Summers, 1993) that longtime FBI director J. Edgar Hoover was gay—plus an analysis of Hoover's policies toward sex and crime. Theoharis (History/Marquette Univ., The Boss: J. Edgar Hoover and the Great American Inquisition, not reviewed) scores Summers's ``mind-boggling,'' simplistic account of Hoover's ``compromised directorship,'' in which he allegedly suffered Mafia blackmail and pursued politicians' sexual peccadillos out of his own hypocrisy. If Summers is right, asks the author, why haven't former FBI agents or attorneys general come forward to corroborate such charges? Theoharis, who doubts that Hoover was gay, believes the ``wily and cautious'' bureaucrat would never have let himself be compromised; he also finds several weaknesses in the account of Summers's best source, Susan Rosenstiel (wife of a liquor magnate), who said she had seen Hoover in drag at gay orgies. Hoover, the author argues, exploited the ``moralistic concern about personal conduct'' that pervaded the country when he took office in the 1920s. He collected dirt on numerous politicians and public figures, gay and straight, but usually used such information cautiously, relying on Congress and the press rather than blackmail and direct publicity. Hoover seized on WW IIera concerns about fascism and communism to further build the FBI. This politically popular concentration on fighting subversives, Theoharis contends, damaged the FBI's capacity to fight organized crime: ``From 1936 Hoover for the most part abandoned law enforcement.'' Hoover survived, the author concludes, because his politics matched those of our political elite. Only after Hoover died in 1972 did the FBI turn to organized crime, needing to recapture public opinion after embarrassing revelations about its extralegal methods. Students of history and policy should pay heed.

Pub Date: March 10, 1995

ISBN: 1-56663-071-1

Page Count: 176

Publisher: Ivan Dee/Rowman & Littlefield

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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