by Atticus Lish ‧ RELEASE DATE: Nov. 11, 2014
A sledgehammer to the American dream.
Lish (Life Is With People, 2012) makes his fiction debut with a love story set in the sewers of the American dream.
Undocumented immigrant Zou Lei lands in the U.S. and enters a wrestling match with her new country, trying to hold a job and evade deportation. Meanwhile, a scarred (physically and emotionally) veteran named Skinner struggles with nightmares of war in a nation that claims to support his service but doesn’t know where he fits now. When these two people meet each other in a dingy stairwell, there’s an instant connection—a palpable sense of need. Together, they negotiate the streets of a tough city in an even tougher country that, perhaps, doesn’t care about them at all. Lish’s novel is angry but compassionate; he sees his characters clearly without romanticizing them or their impoverished experiences. His version of New York is garish, the accumulation of detail—the scum of forgotten food courts, people streaming from subways—becoming surreal. The prose feels in constant motion, and without quotation marks around any of the dialogue, the reader strains to hear the characters above the din. Nevertheless, Lish often avoids gloominess; there’s a velocity to his writing and moments of mundane, fleeting beauty, as when a cellphone "lit up indigo in [Zou Lei’s] hands for several moments shining through her fingers.” The book feels, perhaps, a little too long, a little too overwhelming—in ways both intentional and not—but it also shows the scary truth about who’s allowed to prosper in this country, ultimately making clear the irony underlying one of the novel’s early descriptions of the U.S.: “You don’t have to be rich. If somebody wants it, it will be theirs.”
A sledgehammer to the American dream.Pub Date: Nov. 11, 2014
ISBN: 978-0-9885183-3-9
Page Count: 250
Publisher: Tyrant Books
Review Posted Online: Nov. 13, 2014
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
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