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WHERE THE MOOSE SLEPT

AN ACCOUNT OF TWO LATE-20TH CENTURY PIONEERS WHO "SAW THE ELEPHANT" ON THE LAST FRONTIER

From the Sleeping Moose Saga series , Vol. 1

An evocative, vignette-filled story of one family’s experiences up north.

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Cutting (Tales from Sleeping Moose Vol. 4, 2015, etc.) recounts the adventures of a young couple settling in a remote part of Alaska in this episodic novel.

It’s the summer of 1976, and Kate Peters is a young artist from Hawaii. Inspired by Ralph Waldo Emerson’s notions of self-reliance, she goes to Alaska for her honeymoon with her new husband, Tim, who’s inspired by Jack London’s writings. The two are planning to buy property in Vermont once they get back to the Lower 48, but when they pass a sign advertising land for sale near a tiny Alaskan hamlet, they make the impulsive decision to settle right there. High up on a mountainside, the property possesses “a panoramic view of the Chugach Range, Skilak Lake and the ice capped Kenai Fjords to the south.” Kate takes the presence of a recent moose bed as a sign—after all, the town below them is called Sleeping Moose—and decides to build their house right on that spot. The next three years will be a race against the weather—and impending parenthood—as Kate and Tim attempt to erect a cabin and then a house in the wilderness; meanwhile, they contend with local characters, local fauna, and the effects of isolation on the human spirit. This work of “fact-based fiction” is based on Cutting’s own family members’ experiences, and it includes black-and-white photographs of her parents and moments from her own childhood. She writes with an eye for specificity that evokes the Alaskan bush in all its daunting beauty. The difficulty of life in the area, particularly before the advent of cellphones and the internet, is illustrated in the planning and patience that Kate and Tim put into every action. In one sense, this is a book about a construction project, but in another, it’s the story of the formation of a family—one built not on self-reliance but on learning to rely on one another. Overall, it offers a satisfying mix of nature writing, a survival narrative, and a deliberative account of a task slowly completed.

An evocative, vignette-filled story of one family’s experiences up north.

Pub Date: April 21, 2017

ISBN: 978-0-9975819-0-4

Page Count: -

Publisher: Echo Hill Arts Press, LLC

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: July 1, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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