Et cetera. The concept of mid-tier celebrities on the nation's hottest shopping channel may have enormous possibilities, but...
A first novel that tries for the fierce bite of satire but ends up with not much more than nasty little nibbles at the familiar.
Pity the talent on the shop-at-home channel dubbed—yes—Sellevision. During the “Toys for Tots” segment of Slumber Sunday Sundown, gay, lonesome Max inadvertently exposes himself in front of 60 million kids and their parents and loses his job—and any possibility of another. On-air person Peggy Jean Smythe, meanwhile, is a clueless, churchy mother, the oldest of whose three sons would rather play with C-4 than Silly Putty because of issues he has with mother dear. When she's bundled off ranting to detox and rehab for 30 days to get in touch with her addiction to Valium and alcohol, her much deprived husband takes up with Nikki, the almost 16-year-old Lolita from next door whose issues are a whole lot more fun—not to mention kinky—than Peggy Jean's. Then there's Leigh, who is having an affair with married boss Howard Toast, who shows no signs of leaving his own wife. Until, that is, Leigh, after consulting with already-exposed Max, exposes Toast on air and gets him fired and kicked out of his wife's house—whereupon Leigh becomes a feminist icon and much-sought-after talk show guest. And then there's Bebe, Sellevision's most successful host, who finds Mr. Right through a personal ad she puts on the Internet—except that he just might turn out to be the long-lost brother her mother put up for adoption before she was born.
Et cetera. The concept of mid-tier celebrities on the nation's hottest shopping channel may have enormous possibilities, but greater wit and sophistication than Burroughs seems able to summon—so far—are needed to raise this outing from the banalities of soap and silliness to the power of real satire.Pub Date: Sept. 1, 2000
ISBN: 0-312-26772-X
Page Count: 208
Publisher: St. Martin's Griffin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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