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THIS IS HOW

PROVEN TO AID IN OVERCOMING SHYNESS, MOLESTATION, FATNESS, SPINSTERHOOD, GRIEF, DISEASE, LUSHERY, DECREPITUDE & MORE. FOR YOUNG AND OLD ALIKE.

Acclaimed memoirist Burroughs (You Better Not Cry: Stories for Christmas, 2009, etc.) charts new territory, offering his readers advice on life.

With a cinematic novel and a series of bestselling memoirs under his belt, the author now presents life advice that’s as unconventionally scattered as one would expect. His tongue-in-cheek guidance, predictably couched in personal anecdotes, opens with a chapter on rejecting the “superupbeat umbrella” of positive affirmations, and proceeds to deliver the straight, though clichéd, dope on bad love (“Abusive people never change”), the search for romantic connections (“get out of your own way”), weight loss (“real beauty comes from the inside”) and guilt-free self-pity (“sometimes you just feel like shit”). Most sections straddle the line between supportive empowerment and tough love and are written with the author’s characteristic dark humor, which consistently entertains and, as the pages turn, earnestly educates. Burroughs offers smart counsel on keeping communication honest (with yourself and others), the right to personal freedoms and the best mindset for a job interview; he also gives personal perspectives on his suicide attempt and how he conquered alcoholism. Some chapters focus constructively on self-esteem and positive affirmations, while others meander, as in a heartfelt piece on love that veers off to describe the benefits of residing on the southern tip of Manhattan. Both introspective and uneven, the outspoken author wraps everything up with an ethereal final chapter draped in the kind of mawkish Zen goodness that will work wonders for those in need of a morale booster. Despite pages of platitudes, Burroughs provides plenty of worthy material on the absurdity of the human condition and the unpredictability of contemporary life.  

 

Pub Date: May 8, 2012

ISBN: 978-0-312-56355-4

Page Count: 240

Publisher: St. Martin's

Review Posted Online: March 12, 2012

Kirkus Reviews Issue: April 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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