by Austin Clarke ‧ RELEASE DATE: June 19, 2003
We are left with a memorable landscape of oppression but a problematic central figure. Is Mary now a militant champion of...
The sexual exploitation of poor black women in the British Caribbean—in a rambling, plotless tale (winner of the Giller Prize) from Clarke, a veteran West Indian writer/academic/diplomat.
The colony is the author’s own Barbados (here called Bimshire), and the period is post-WWII. Mary-Mathilda is a middle-aged black woman who lives in a spacious house on the sugar plantation, where she was installed by the almost-white plantation manager Bellfeels, who lives nearby with his wife and daughters. Bellfeels’s “Outside-Woman,” Mary started out, like her mother, as a fieldhand, and her fate was decided one Sunday in a churchyard when Bellfeels noticed her ripening into puberty and felt her up and down with his riding-crop, the prelude to his raping her during a church picnic, just as he had once done to her mother. For all her present material comforts, Mary has never forgotten that riding-crop, and she has been readying her old hoe for her mission of retribution and sacrifice. The story spans just a few hours on a Sunday night, when Mary summons the Sergeant to make a Statement. Has she murdered Bellfeels? The Sergeant doesn’t want to know, for Mary is a powerful woman who could end his career, and, besides he has lusted after her since childhood. So there will be no Statement, disappointing the reader who might have been expecting a modicum of suspense. Instead, the pair exchange memories of life in Bimshire. What emerges is a scorching indictment of the island’s power elite, who have connived at rape (including Mary’s) and murder, disposing of bodies and spiriting away criminals. Still, this bleak picture is warmed and softened by Clarke’s celebration of Bimshire life: its foods, plants, rum shops, and the fortitude of its regular folks as they laugh and curse in cadences that Clarke catches so expertly.
We are left with a memorable landscape of oppression but a problematic central figure. Is Mary now a militant champion of women’s rights? No way to know.Pub Date: June 19, 2003
ISBN: 0-06-055565-3
Page Count: 480
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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