A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.
Debut novelist Bright impresses with a nuanced tale of a woman who can’t break free of an abusive relationship.
DJ Toni Jones may be a rising star on Charleston, South Carolina, radio, but her cool, professional exterior masks a troubled personal life. She and her suave husband, Marvin, are the ultimate power couple—she has a show on radio station Q101.5, and he’s part owner of the city’s hottest nightclub. But when Marvin’s dreams of a music production career collapse amid legal troubles, he turns violent, resentful of his wife’s success and jealous of the attention that she receives from other men. One of his vicious attacks nearly kills Toni, but she refuses to press charges and takes him back, much to her family’s dismay. Marvin cleans up his act (and skeptical readers may raise an eyebrow at this about-face), but the resulting period of domestic bliss is only temporary. His new job as a trucker keeps him away from home for days at a time, and soon, he’s romancing a sexy stripper named Angela. However, Marvin hasn’t lost his violent tendencies, and, eventually, Toni is forced to make a decision that will change her life forever. Bright’s fast-moving, engaging novel shows how even a strong, successful woman can find herself a victim of domestic violence. Subtle hints about Toni’s past illustrate how she learned to accept and justify violent behavior from men, and her rationalizations for taking Marvin back, though infuriating, make sense in the context of her character: “In the end, love and my determination to help him always overpowered me.” Marvin, for his part, is equal parts despicable and attractive; when he’s on his best behavior, it’s easy to see why Toni might be lulled into a false sense of security. He also has his own demons that help explain, but not justify, his behavior. The dialogue is spirited, and although some situations are overly dramatic, they never cross the line into unbelievability.
A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.Pub Date: June 5, 2015
ISBN: 978-0-9861923-1-9
Page Count: 380
Publisher: A Light Bulb Publishing
Review Posted Online: Feb. 10, 2016
Kirkus Reviews Issue: March 15, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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