A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.

Love Sick

Debut novelist Bright impresses with a nuanced tale of a woman who can’t break free of an abusive relationship.

DJ Toni Jones may be a rising star on Charleston, South Carolina, radio, but her cool, professional exterior masks a troubled personal life. She and her suave husband, Marvin, are the ultimate power couple—she has a show on radio station Q101.5, and he’s part owner of the city’s hottest nightclub. But when Marvin’s dreams of a music production career collapse amid legal troubles, he turns violent, resentful of his wife’s success and jealous of the attention that she receives from other men. One of his vicious attacks nearly kills Toni, but she refuses to press charges and takes him back, much to her family’s dismay. Marvin cleans up his act (and skeptical readers may raise an eyebrow at this about-face), but the resulting period of domestic bliss is only temporary. His new job as a trucker keeps him away from home for days at a time, and soon, he’s romancing a sexy stripper named Angela. However, Marvin hasn’t lost his violent tendencies, and, eventually, Toni is forced to make a decision that will change her life forever. Bright’s fast-moving, engaging novel shows how even a strong, successful woman can find herself a victim of domestic violence. Subtle hints about Toni’s past illustrate how she learned to accept and justify violent behavior from men, and her rationalizations for taking Marvin back, though infuriating, make sense in the context of her character: “In the end, love and my determination to help him always overpowered me.” Marvin, for his part, is equal parts despicable and attractive; when he’s on his best behavior, it’s easy to see why Toni might be lulled into a false sense of security. He also has his own demons that help explain, but not justify, his behavior. The dialogue is spirited, and although some situations are overly dramatic, they never cross the line into unbelievability.

A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.

Pub Date: June 5, 2015

ISBN: 978-0-9861923-1-9

Page Count: 380

Publisher: A Light Bulb Publishing

Review Posted Online: Feb. 10, 2016

Kirkus Reviews Issue: March 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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