A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.

Love Sick

Debut novelist Bright impresses with a nuanced tale of a woman who can’t break free of an abusive relationship.

DJ Toni Jones may be a rising star on Charleston, South Carolina, radio, but her cool, professional exterior masks a troubled personal life. She and her suave husband, Marvin, are the ultimate power couple—she has a show on radio station Q101.5, and he’s part owner of the city’s hottest nightclub. But when Marvin’s dreams of a music production career collapse amid legal troubles, he turns violent, resentful of his wife’s success and jealous of the attention that she receives from other men. One of his vicious attacks nearly kills Toni, but she refuses to press charges and takes him back, much to her family’s dismay. Marvin cleans up his act (and skeptical readers may raise an eyebrow at this about-face), but the resulting period of domestic bliss is only temporary. His new job as a trucker keeps him away from home for days at a time, and soon, he’s romancing a sexy stripper named Angela. However, Marvin hasn’t lost his violent tendencies, and, eventually, Toni is forced to make a decision that will change her life forever. Bright’s fast-moving, engaging novel shows how even a strong, successful woman can find herself a victim of domestic violence. Subtle hints about Toni’s past illustrate how she learned to accept and justify violent behavior from men, and her rationalizations for taking Marvin back, though infuriating, make sense in the context of her character: “In the end, love and my determination to help him always overpowered me.” Marvin, for his part, is equal parts despicable and attractive; when he’s on his best behavior, it’s easy to see why Toni might be lulled into a false sense of security. He also has his own demons that help explain, but not justify, his behavior. The dialogue is spirited, and although some situations are overly dramatic, they never cross the line into unbelievability.

A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.

Pub Date: June 5, 2015

ISBN: 978-0-9861923-1-9

Page Count: 380

Publisher: A Light Bulb Publishing

Review Posted Online: Feb. 10, 2016

Kirkus Reviews Issue: March 15, 2016

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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