A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.
Debut novelist Bright impresses with a nuanced tale of a woman who can’t break free of an abusive relationship.
DJ Toni Jones may be a rising star on Charleston, South Carolina, radio, but her cool, professional exterior masks a troubled personal life. She and her suave husband, Marvin, are the ultimate power couple—she has a show on radio station Q101.5, and he’s part owner of the city’s hottest nightclub. But when Marvin’s dreams of a music production career collapse amid legal troubles, he turns violent, resentful of his wife’s success and jealous of the attention that she receives from other men. One of his vicious attacks nearly kills Toni, but she refuses to press charges and takes him back, much to her family’s dismay. Marvin cleans up his act (and skeptical readers may raise an eyebrow at this about-face), but the resulting period of domestic bliss is only temporary. His new job as a trucker keeps him away from home for days at a time, and soon, he’s romancing a sexy stripper named Angela. However, Marvin hasn’t lost his violent tendencies, and, eventually, Toni is forced to make a decision that will change her life forever. Bright’s fast-moving, engaging novel shows how even a strong, successful woman can find herself a victim of domestic violence. Subtle hints about Toni’s past illustrate how she learned to accept and justify violent behavior from men, and her rationalizations for taking Marvin back, though infuriating, make sense in the context of her character: “In the end, love and my determination to help him always overpowered me.” Marvin, for his part, is equal parts despicable and attractive; when he’s on his best behavior, it’s easy to see why Toni might be lulled into a false sense of security. He also has his own demons that help explain, but not justify, his behavior. The dialogue is spirited, and although some situations are overly dramatic, they never cross the line into unbelievability.
A successful portrayal of the complex psychology of an abuse victim and a gripping story of a love gone sour.Pub Date: June 5, 2015
ISBN: 978-0-9861923-1-9
Page Count: 380
Publisher: A Light Bulb Publishing
Review Posted Online: Feb. 10, 2016
Kirkus Reviews Issue: March 15, 2016
Review Program: Kirkus Indie
Although Heller creates with chilling efficiency the bleakness of a world largely bereft of life as we know it, he holds out...
A post-apocalyptic novel in which Hig, who only goes by this mononym, finds not only survival, but also the possibility of love.
As in Cormac McCarthy’s The Road, the catastrophe that has turned the world into its cataclysmic state remains unnamed, but it involves “The Blood,” a highly virulent and contagious disease that has drastically reduced the population and has turned most of the remaining survivors into grim hangers-on, fiercely protective of their limited territory. Hig lives in an abandoned airplane hangar and keeps a 1956 Cessna, which he periodically takes out to survey the harsh and formidable landscape. While on rare occasions he spots a few Mennonites, fear of “The Blood” generally keeps people at more than arm’s length. Hig has established a defensive perimeter by a large berm, competently guarded by Bangley, a terrifying friend but exactly the kind of guy you want on your side, since he can pot intruders from hundreds of yards away, and he has plenty of firepower to do it. Haunted by a voice he heard faintly on the radio, Hig takes off one day in search of fellow survivors and comes across Pops and Cima, a father and daughter who are barely eking out a living off the land by gardening and tending a few emaciated sheep. Like Bangley, Pops is laconic and doesn’t yield much, but Hig understandably finds himself attracted to Cima, the only woman for hundreds of miles and a replacement for the ache Hig feels in having lost his pregnant wife, Melissa, years before.
Although Heller creates with chilling efficiency the bleakness of a world largely bereft of life as we know it, he holds out some hope that human relationships can be redemptive.Pub Date: Aug. 7, 2012
ISBN: 978-0-307-95994-2
Page Count: 272
Publisher: Knopf
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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