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LIPSTICK JIHAD

A MEMOIR OF GROWING UP IRANIAN IN AMERICA AND AMERICAN IN IRAN

A must.

Journalist Moaveni returns to her parents’ homeland as a reporter for Time magazine and finds life infinitely more complex than she’d imagined.

Growing up in southern California, Moaveni knew herself to be Iranian, with all the discomfort attached to being associated with the nation that authored the 1979 Hostage Crisis. (Most in her community chose to identify themselves as Persian.) She also knew herself to be American, especially whenever she visited her family in Tehran. In 2000, she returned there as an adult in order to find the “lost generation”—her own—that grew up in the shadow of the 1979 revolution. The author’s account of trying, on the one hand, to be a foreign reporter under a theocratic regime, and, on the other, a normal young woman with a career and family and her own apartment, is beautifully nuanced, complex, and illuminating. Moaveni is perfectly situated to report on normal Iranian life to an audience of Americans, since, as an insider, she can report on those things that foreigners would find most illuminating. The real characters she describes are far more complex than the usual sources would be, and her command of Farsi allows her experience to be direct and unmediated. When her grandfather quotes ancient Persian poetry, Moaveni gets it; when her maid disapproves of her single lifestyle, she hears it straight from the horse’s mouth; and when a cleric tries to get her home phone number, she knows just what he wants—after a few moments of wondering what this holy man could possibly be getting at. Best of all are Moaveni’s reports from everyday Iranian life about the locals’ myriad adaptations to a totalitarian regime. She takes up everything: the political climate, the female sphere, the distinction of public and private behavior, teenagers’ rebellion, the challenge of creating a career, even the quest to exercise without a veil. Moaveni makes Iran a distinct entity.

A must.

Pub Date: March 1, 2005

ISBN: 1-58648-193-2

Page Count: 272

Publisher: PublicAffairs

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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