At once personal and universal, this book is about finding a path to awareness, understanding, and wisdom.
A South Korean author recounts her long journey through anxiety and depression.
Tteokbokki is a popular Korean dish of bland rice cakes immersed in a spicy pepper sauce. The duality is a good metaphor for this book, a bestseller in South Korea. Baek has dysthymia, a low-level but persistent depression. The narrative is primarily a collection of the author’s discussions with her therapist, punctuated with short essays leavened by the poignancy of self-reflection and occasional flashes of humor. Though issues involving mental health continue to be stigmatized, Baek is clear in her belief that her story could help those in similar circumstances. “I wonder about those like me, who seem totally fine on the outside but are rotting on the inside,” she writes, “where the rot is this vague state of being not-fine and not-devastated at the same time.” While the author realizes that many of her problems stem from a painful family background, she also examines the pressure on Korean women to conform to an idealized image. She worries constantly about her appearance and what other people think about her, a mindset that plagues many Korean women. Some of the author’s discussions relate directly to Korean culture, but much of it transcends borders and will resonate with readers around the world. As she gradually worked through the therapy process, Baek learned how to avoid the emotional roller coaster that comes with dysthymia and how to avoid constantly judging herself and others. Though the act of living always comes with ups and downs, it’s important to keep them in context and seek an appropriate balance. Baek acknowledges that she might never be entirely free of her dysthymia, but she can manage it, live with it, and understand it as part of her being.
At once personal and universal, this book is about finding a path to awareness, understanding, and wisdom.Pub Date: Nov. 1, 2022
ISBN: 978-1-63557-938-3
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: June 1, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
IN THE NEWS
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.
The late heavy metal legend considers his mortality in this posthumous memoir.
“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.Pub Date: Oct. 7, 2025
ISBN: 9781538775417
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 7, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
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