Lg. Prt. 0-375-70292-X Offering her well-known insight into humanity’s quirks, NPR commentator White (Sleeping at the Starlite Motel, 1995) makes the Georgia romance between an ardent plant pathologist and a flighty painter of birds the centerpiece of her first novel. Roger knows his way around a field of peanuts, but he fares less well in love. When his wife Ethel runs off with a Nashville musician (then dumps him for a New Hampshire boatwright), it ends the marriage but doesn—t sever ties to Roger’s in-laws, who continue to think of him as family. So it’s only natural that Roger is called on to help when Louise, Ethel’s mom, starts fretting about extraterrestrial visitors and getting lost after wandering from home. And it’s only natural, too, that the in-laws grow concerned when Roger shows an interest in a woman who, in a series of trips, brings nearly all of her household possessions to the dump, with a tidy note attached to each item. Della is an artist—and not a bad one, it turns out—whose dumpside sorties are caused by aesthetic despair: She just can—t manage to paint an old breed of chickens to her liking. After a fashion, she returns Roger’s affection, and the two conduct a courtship of sorts while much else goes on around them—Louise moves in with a typographer who appreciates her unique approach to letters; Ethel continues to play the field; Roger’s childhood horse succumbs to old age; camellias bloom; and thrips spread a deadly virus to the area’s peanut crop. All told, life in rural Georgia undergoes change in not-so-subtle ways. At end, Della flies away to Australia in search of new birds to paint, leaving lonely local hero Roger to carry on with his work. The pages resonate with White’s distinctive voice and dazzle with her naturalist’s eye for detail, making the strictly episodic nature of this tale less a drawback than a continuation of her familiar storytelling habits. (First printing of 150,000)
Pub Date: June 23, 1998
ISBN: 0-679-44531-5
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
