Readers who can tough out the methodical opening chapters in which Kerr (Harmful Intent, 1999, etc.) sets up the parallels...


Densely woven legal thriller explores the human-scale motives for Balkan genocide through a painstaking analogy to a home-front civil suit for wrongful death.

Two years ago, former railroad attorney Elliot Stone served as conservator for Dale Stillwell, a brakeman crippled in a switching-yard accident. June Mooney, the switching engineer whose train had accidentally crushed Stillwell, had nursed him devotedly unto holy wedlock, and at the fadeout, both Stillwell and his bride were in a position to benefit handsomely from a railroad company settlement—though Stone can’t help but be disturbed by Stillwell’s dissociated remark: “I’m going to k-kill her.” Now, back from a horrific stint as the lead prosecutor in the case of a small-town mayor accused of ordering the murder of all the non-Serb male patients in a local hospital, Stone is plunged into the Stillwell case again in an unexpected new capacity. June Stillwell—who’s been hospitalized, the comatose victim of a vicious attack for which her husband is the sole, albeit uncharged, suspect—needs a conservator herself, especially since her daughter April plans to file a civil suit against Dale Stillwell. Unfortunately, the entire settlement Stillwell was awarded will be exempt from any judgment unless the charge is wrongful death. And then June, who’d slipped back from surprising progress into deep coma again, providently dies. After preliminary skirmishing, Stone and his one-time railroad adversary, Paige Jorritsma, join forces in the suit against Stillwell, duly noting that he’s protected by a dream team of legal talent, and by Dr. Hans Leiter, the same All-Star psychiatrist who’d worked shoulder to shoulder with Stone in Greater Serbia.

Readers who can tough out the methodical opening chapters in which Kerr (Harmful Intent, 1999, etc.) sets up the parallels between Stone’s Balkan sabbatical and the Stillwell calamity will be rewarded with a tour de force cross-examination and a provocative meditation on vanity, betrayal, and evil.

Pub Date: May 1, 2001

ISBN: 0-7432-1117-0

Page Count: 384

Publisher: Scribner

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2002

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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