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DEAD-END MEMORIES

An uncommonly warmhearted set of tales.

A new short story collection from one of Japan’s most beloved authors features five women seeking peace in the face of uncertainty.

All the main characters in Yoshimoto’s newest volume are similar enough that you might find them all at the same neighborhood cafe, dreamily gazing out a window and contemplating the nature of fate or the vastness of the universe. They are young Japanese women, all professionals, who are often forced, by some precipitating event, to reckon with heartache in their pasts or worry in their presents. In the long opening story, “House of Ghosts,” two college friends try to define their relationship over a shared love of food and the presence of two ghosts in the apartment where they gather together. In “ ‘Mama!’ ” Matsuoka, an editor, is the victim of a shocking criminal act at her workplace and in the aftermath must deal with unpleasant childhood memories. In “Tomo-chan’s Happiness,” the titular main character gathers her courage to forge a connection with a co-worker in spite of past traumas that have rendered her passive. The shortest story, “Not Warm at All,” features the narrator, a writer, contemplating the difficult life of her first childhood best friend and what his loss taught her about true humanity. One of the things that separates Yoshimoto from many contemporary writers is her refusal to linger on her characters’ dark nights of the soul: All her protagonists are ultimately changed irrevocably by kindnesses—from others, from the natural world, from themselves—that lead them on paths toward the light. This, coupled with Yoshimoto’s gentle prose (translated here by Yoneda), makes the collection perfect for readers looking for stories that will leave a sweet taste in their mouths without sacrificing depth or intelligence.

An uncommonly warmhearted set of tales.

Pub Date: Aug. 2, 2022

ISBN: 978-1-64009-369-0

Page Count: 240

Publisher: Counterpoint

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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